More on the Itinerant William Griswold
Preparing to pack his bags to leave Minneapolis for the Morgan, William Griswold assured me that he's not a museum-hopper:
This is my retirement job. The Morgan is in my blood and in my heart.
Then, in the next breath, the 46-year-old acknowledged that he had "had every intention to stay here [in Minneapolis] a long time" and added, "I know there are bigger jobs" than his new position. Time will tell.
At the Morgan, he hopes to "bring out more of the collection and fill the Morgan with art," enlivening spaces that he feels are now under-used. He is particularly interested in expanding the 20th-century and contemporary collections, as a way to "build audiences and build appreciation for the other material in the collection."
Meanwhile, back in Minneapolis, he vows to "roll up my sleeves and work harder than ever during the next six months." The board and staff, he said, have been "amazingly supportive" of his pending departure.
Did they have a choice?
(For more coverage, see the Minneapolis Star Tribune here and the NY Times here.)
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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.
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