Excuses.

It seems Fafblog is back after a two-year hiatus (see below). And the marvelously droll Jon Swift has returned after several months of non-postings ("I started this modest blog more than two years ago for the same reason everyone starts a blog: to become fabulously wealthy"). He even apologized despite, he said, the longstanding conservative tradition against admitting anything.

Now Scott McLemee has returned after many desultory posts and has written a follow-up explanation of his lack of productivity, assuring we happy few, we loyal band of hypocrite lecteurs, that he actually didn't need cheering up, thanks much, because, you see, his new post was about how his midlife crisis (or as book/daddy prefers to think of it, "the expense of spirit in a waste of online blogging") had already passed, more or less, so no need for the sympathy cards. (A new Hallmark line -- the "ROFL Series" -- that book/daddy has already pitched: "Sorry your blogging is sagging" (open card) "But you never were any good anwyay, get off the internets, I pwn you, you miseralbe accuse for a ciritc.")

Sooo ... the fact that book/daddy is welcoming back these prodigal bloggers with happy expressions a week or two late should indicate his own persistently low blood sugar level, blogging-wise. Ah, yes, book/daddy recalls very well back when he was a young book blogger, full of piss and vinegar (a cocktail, he has always thought, not likely to induce any later fits of nostalgic reflection -- just simply fits). Ah, when he used to crank out a Monday literary round-up after midnight on Sunday -- that was, what? Less than a year ago? An eternity in blogtime. It's a cold, ruthless, speedy little goddess, this digital muse.

Essentially, I have of late, wherefore I know not, lost all my desire to write about books. book/daddy can barely even read about them. And mostly, the books that book/daddy has been reading haven't been worth blogging about. A decent thriller here, a good history that's already old news over there.

But hey, in the past three weeks, book/daddy put up a new wooden gate on his driveway, tiled the kitchen and graduated a daughter. In the midst of all that work, it struck book/daddy how little he missed all the "keeping up" -- what did so-and-so write about such-and-such? Everything that happened online had so little, so incredibly little relevance, to a delightful dinner with friends and family.

Large parts of life really do exist elsewhere, it seems. In our case, that elsewhere was Hector's on Henderson. Highly recommended.



June 10, 2008 3:46 PM | | Comments (0)

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Recommending

Books I'm currently recommending . . . 

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Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste who'd turn into a full-blown artiste some day. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America..You think The Wire, Law and Order, the old Homicide are the best TV has to offer? This is all that -- between covers.

In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships, war-time atmosphere and gruesome battlefield details are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for exceptional historical novels. A new trilogy? One hopes so.

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THE REVIEWS: 

Pat Barker, Frankenstein, Cass Sunstein on the internet, Samuel Johnson, Thrillers, Denis Johnson, Alan Furst, Caryl Phillips, Richard Flanagan, George Saunders, Michael Harvey, Larry McMurtry, Harry Potter and more ...

ESSAY: 

Big D between the sheets -- Dallas in fiction

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Reviewing the state of reviewing

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9/11 as a novel: Why?

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How can critics say the things they do? And why does anyone pay attention? It's the issue of authority.

The disappearing book pages:  

Papers are cutting book coverage for little reason

Thrillers and Lists:  

Noir favorites, who makes the cut and why

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This page contains a single entry by book/daddy published on June 10, 2008 3:46 PM.

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