It's new! It's happening! It's ... well, it's more authors talking about books.


Daniel Menaker's Titlepage show debuted Monday, and this attempt by the former fiction editor at The New Yorker to create a low-cost web alternative to the near-zero of book shows on network or cable TV is pretty much as I feared -- a kind of droney cocktail party that ran out of liquor 30 minutes ago but everyone's still stuck there. The Charlie Rose Show with more people squatting at the table.

Mmmm, boy. That's exciting. Sure, it's well-meaning and not hopeless and I even like Richard Price (see my Lush Life review). But Titlepage seems to provide more evidence for why TV producers think just about any living author is bad ratings ju-ju. Hold up a book on camera (or have him mention his good friend, that more famous author) and it'll drive the entire cosmos to switch to another channel. This is the web for sweet gravy's sake. Can't we be a little more inventive? Doesn't anyone here know how to play this game?

Pity.

I'm going back to watching Stephen Colbert interview Henry Louis Gates.

March 5, 2008 2:15 PM | | Comments (0)

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Recommending

Books I'm currently recommending . . . 

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Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews -- and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste, the one he always thought would turn into a full-blown artiste. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures, generally oblivious to each other, and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America in the past decade. You think The Wire, Law and Order, the old Homicide series are the best TV has to offer? This is all that -- between covers.
In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence and return to combat, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches and they avoid it or embrace it. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships and war-time atmosphere (and gruesome battlefield details) are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for truly exceptional historical novels. A new trilogy? One hopes so.

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Best of the Vault

THE REVIEWS: 

Pat Barker, Frankenstein, Cass Sunstein on the internet, Samuel Johnson, Thrillers, Denis Johnson, Alan Furst, Caryl Phillips, Richard Flanagan, George Saunders, Michael Harvey, Larry McMurtry, Harry Potter and

ESSAY: 

Big D between the sheets -- Dallas in fiction

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