MLK round-up


  • The print origins of Sweeney Todd lie in The String of Pearls: A Romance. It was an 18-part serialization first published in 1846 in one of the period's "penny bloods," its author unknown. Louise Welsh examines the historical evidence to answer the question: Was there ever a real razor-wielder behind the slasher legend?
  • Tired of self-pitying memoirs? Of tales of childhood degradation and deprivation? Julie Burchill in the Guardian blasts them all, and has some left-over nitro for anti-Americanism from the chi-chi French.
  • Cut the hooptedoodle: Elmore Leonard's rules of writing.
  • Philip Glass tells how it was living for a year with Moondog, the late eccentric composer-musician who stood on a New York street corner dressed as a Viking. His music can be an amazingly beautiful mix of jazz, classical music, minimalism and Frank Zappa-ish quirk, but he apparently wasn't the easiest houseguest:

    Though he spent a year with us, I gave him lots of privacy. Before he moved to Germany, it did become uncomfortable at times. It seemed that he felt entitled to grab hold of any woman he could. He told me: "I can't be prosecuted for rape because they can't do that to blind people." Another uncomfortable thing about living with Moondog was that he didn't pick up after himself, or know how or bother to throw out the trash, so I spent some time cleaning up the fast food he brought to his room.

    It's from the preface for the official biography, Moondog: The Viking of Sixth Avenue by Robert Scotto, which includes a 28-track CD.

  • In his Sunday sermon in The Dallas Morning News, Monsignor Rod Dreher says independents and Christian conservatives (and Andrew Sulllivan, although the good monsignor never names him) attracted to candidate Barack Obama are seriously mistaken. Obama's Christian faith seems to be of the "social" and "liberal" variety, not the more fearful and punitive one the monsignor prefers. What's worse, Obama is guilty by second-hand association with Black Muslims: Obama's pastor likes Louis Farakhan.
    Few people believe that GOP presidential candidate Ron Paul believes the racist, anti-Semitic things published anonymously in his newsletter. The problem was that Mr. Paul was not sufficiently alarmed by the poison-pen dispatches to distance himself from the creeps writing them. If Mr. Paul takes hits for the company he keeps, shouldn't Mr. Obama?

    Consider the holes in that dubious analogy for a moment. Obama not only denounced the Farakhan connection, he didn't oversee, publish and disseminate his pastor's ideas, with his name on them and in support of his own electoral prospects. And unlike Paul, he didn't take more than a decade to denounce them, after they became public embarrasments and were no longer politically useful.

    Inconveniently for the good monsignor, online conservatives such as Johan Wennstrom, research fellow of London's Institute of Economic Affairs, have indeed been intelligently articulating just why American and European conservatives should hail an Obama presidency:

    Obama's hopeful non-partisan tone appeals to those conservatives who have been disillusioned by the polarising George W Bush presidency. After eight years with a leadership that has deepened the political divide in America, they long for a president capable of rising above the standard ideological fray....

    The attraction of Obama to Sullivan and other conservatives is not surprising. In fact, their support is consistent with the constructive wing of the philosophy of conservatism. Those stuck in the world of divisional politics can be baffled by this. How, they ask, can people who admire Reagan and Thatcher also have time for Obama?

    Aside from his positive message of unity, there are a number of things concerning Obama which appeal to conservatives, not least his appreciative attitude towards traditions and his understanding of the importance of learning from history.

  • January 21, 2008 7:35 AM | | Comments (0)

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    Recommending

    Books I'm currently recommending . . . 

    lush%20life.jpg
    Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews -- and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste, the one he always thought would turn into a full-blown artiste. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures, generally oblivious to each other, and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America in the past decade. You think The Wire, Law and Order, the old Homicide series are the best TV has to offer? This is all that -- between covers.
    In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence and return to combat, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches and they avoid it or embrace it. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships and war-time atmosphere (and gruesome battlefield details) are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for truly exceptional historical novels. A new trilogy? One hopes so.

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    THE REVIEWS: 

    Pat Barker, Frankenstein, Cass Sunstein on the internet, Samuel Johnson, Thrillers, Denis Johnson, Alan Furst, Caryl Phillips, Richard Flanagan, George Saunders, Michael Harvey, Larry McMurtry, Harry Potter and

    ESSAY: 

    Big D between the sheets -- Dallas in fiction

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