Losing one's marbles: It's a Monday

  • There are two kinds of histories, book/daddy was once taught: They're either beads on a string or marbles in a jar. They either connect events, teleologically, or they accumulate them, layer them.

    What, then, of a history of histories?

  • Speaking of history, book/daddy once had a lingering, adolescent interest in esoteric thought -- it comes from being taught by Jesuits. Until, that is, he read Robert Anton Wilson That just about cured any interest in Freemasons, conspiracies, Anton LaVey and Aleister Crowley, an interest definitely not revived by National Treasure or From Hell.

    But some people still seem to think Zoroaster and the Knights Templar were behind everything.

  • In case you find yourself in such a horrible position: how to explain Ayn Rand to an Ayn Rand-nut/bookstore customer. Courtesy of librarian.net

  • New lessons in how to read the body, notably such messages as "Get outta here!" and "Oh ... mah ... Gawd!" Courtesy of The Valve.

  • December 16, 2007 6:44 PM | | Comments (0)

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    Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews -- and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste, the one he always thought would turn into a full-blown artiste. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures, generally oblivious to each other, and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America in the past decade. You think The Wire, Law and Order, the old Homicide series are the best TV has to offer? This is all that -- between covers.
    In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence and return to combat, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches and they avoid it or embrace it. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships and war-time atmosphere (and gruesome battlefield details) are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for truly exceptional historical novels. A new trilogy? One hopes so.

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    Big D between the sheets -- Dallas in fiction

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