Inhumane Resource Center

Twenty-five years ago, book/daddy did a little research on some marginalia that Gerard Manley Hopkins penned on a manuscript copy of one of his poems. The single piece of paper is in the Humanities Resource Center, the great archive at the University of Texas at Austin, and book/daddy wrote an article about what the musical notations (Hopkins was helping his sister set the poem to music) revealed about Hopkins' idiosyncratic poetic techniques.

The article was accepted by an academic journal -- a nifty little coup for a grad student. But then book/daddy's troubles with the HRC began. The journal wanted to run an image of the manuscript, and the HRC did a fine job throwing up roadblocks. Eventually, the journal gave up. The frustrations involved were one of several last straws in Austin that led book/daddy to exit graduate studies entirely -- "and twitch his mantle blue, tomorrow to fresh woods and pastures new."

That's all an intro for D. T. Max's fascinating backstage look at the HRC's increrdible holdings and its wheeling-and-dealing with authors. The HRC had so much money when it came to literary manuscript auctions that, it was said in the '70s, the Texans had single-handedly doubled the asking price for an author's attic garbage. As Mr. Max also mentions in his New Yorker story, the place was once a secretive outfit, which explains my running up against that particular no-publication wall. But the place has changed, although it's mostly a return to its cattle-rustling glory days, thanks to director Tom Staley, who exemplifies the kind of aggressive horsetrading Texans love.

The article's extra-added fascination, though, seems to come out of left field: Mr. Max gives the most detailed account anyone has set down of Don DeLillo's writing process (judging from multiple manuscripts and letters to fellow writers like David Foster Wallace that the HRC owns). It's the most detailed account we're likely to have until someone writes a post-mortem DeLillo bio.

Thanks to Ernie for the heads up.

June 10, 2007 11:26 PM | | Comments (0)

Categories:

Leave a comment

Recommending

Books I'm currently recommending . . . 

lush%20life.jpg

Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste who'd turn into a full-blown artiste some day. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America..You think The Wire, Law and Order, the old Homicide are the best TV has to offer? This is all that -- between covers.

In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships, war-time atmosphere and gruesome battlefield details are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for exceptional historical novels. A new trilogy? One hopes so.

more

Best of the Vault

THE REVIEWS: 

Pat Barker, Frankenstein, Cass Sunstein on the internet, Samuel Johnson, Thrillers, Denis Johnson, Alan Furst, Caryl Phillips, Richard Flanagan, George Saunders, Michael Harvey, Larry McMurtry, Harry Potter and more ...

ESSAY: 

Big D between the sheets -- Dallas in fiction

ESSAY:  

Reviewing the state of reviewing

ESSAY:  

9/11 as a novel: Why?

ESSAY:  

How can critics say the things they do? And why does anyone pay attention? It's the issue of authority.

The disappearing book pages:  

Papers are cutting book coverage for little reason

Thrillers and Lists:  

Noir favorites, who makes the cut and why

more

Blogroll

About this Entry

This page contains a single entry by book/daddy published on June 10, 2007 11:26 PM.

book/daddy's wife teaches at a Dallas public school ... was the previous entry in this blog.

Dr. Jekyll and Miss Thang is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

special
Program Notes
the blog of the National Performing Arts Convention
culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.