A pack of dogs ...

... has been roving East Dallas, reportedly killing as many as 25 cats.

Last night, they killed our two younger cats. We didn't hear the dogs because of a rampaging electrical storm. Found the bodies this morning. The youngest cat was less than a year old.

Hell of a way to start a day. Something similar happened almost 10 years ago, and we thought the situation had changed. You can read my column from that time on the jump.

No more scenes from a maul, please

by Jerome Weeks

On Saturday, Feb. 14, Sara and I were cleaning house when we heard a thump on our front porch. We assumed it was the mailman, but the thump was followed by an explosion of barking and honking.

We ran to the front door, our daughter trailing us. As we scrambled out on the porch, we were just in time for her to see her cat being tossed around like a limp rag by two dogs.

We chased the dogs off. We buried the cat.

Later that day, the young woman who had honked at the dogs drove back by. She was sorry for not getting out of her car to chase them away. But she had a good reason. Several months earlier, she told us, in an alley a few blocks away, she'd been set upon by a pack of dogs.

The doctors gave her 16 stitches.

So we reported everything to the city's Animal Control. The operator told us that rabies prevention is their primary function. So bite victims and trapped animals are priorities. In cases like ours, it's often little use sending out a team. By the time it arrives, the dogs are gone.

True enough, we thought. It wasn't until we hung up that we thought, well, what should Animal control do in such cases? Should we risk capturing the pack ourselves and then wait for someone to show up?

Here, Spot, gnaw on my arm until the Animal SWAT team arrives.

When we related all of this to our neighbors, they said, funny, a nearby relative lost a cat recently. And her friends reported seeing dogs running up on her porch.

We live in a pleasant, older, middle-class neighborhood next to the M streets. And we seem to have a serious stray-dog problem.

It's your problem, too. In subsequent calls to Animal Control -- because of other stray dogs running into back yards -- we learned that dogs are probably Animal Control's biggest headahce and they field calls for help from all over the city.

We also learned that Animal Control does hope we'd capture the dogs ourselves. They provide humane traps, large enough to hold a big dog.

Sara and I seriously considered this, although it seems a slow and ineffective remedy. Terry Kinsworthy, the manager of Animal Control, says the traps work best when the pack has become territorial and settled down in an area; you know they're coming back. The strays in our neighborhood don't appear for weeks. We also tried to figure where such a cage would be practical. Inside our fenced back yard? In the alley, where the sanitation gtrucks and phone repair vehicles regularly crush anything we put there?

There must be a more aggressive approach. But we coudn't think of one -- other than costly patrols.

Then last month, a stray cat gave birth to kittens under our neighbor's house. Our daughter has left them food and water, and Sara and I discussed when we should help our neighbors take them to the animal shelter. Perhaps when the kittens are weaned in a few weeks.

But last weekend, we heard a ferocious racket outside. This time, when we tore out, we were armed with poles.

We were too late. Once again, my daughter, just turned 8, got to see a kitten torn to pieces in front of her by a roaring pack of dogs.

These incidents leave the normally sensible Sara in a rage. She knows the dogs are just being dogs, but she could easily kill them. She's furious at the careless, stupid owners, of course, the ones who don't mind that Rover jumps his fence nightly. Or they just gave up on feeding Little Binkers when he became too much trouble and now Litttle Binkers is Large, Feral, Dangerous Binkers.

"Bottom line," Mr. Kinsworthy says, "we deal with animals because somebody wasn't responsible."

Sara, who's from here, is mad at what Mr. Kinsworthy calls the "good old Southern mentality" that doesn't mind dogs wandering loose. She's mad at Texas' fine skinflint tradition of underfunding government services, mad at the ineffectual options our city agency offers.

But what really upsets her is the thought that one of these days, we're going to run outside, and it'll be a child.

copyright, The Dallas Morning News, 1998

May 9, 2007 9:24 AM | | Comments (1)

Categories:

1 Comments

I am so incredibly sorry for your loss. My heart just hurts for you.

Here's hoping the Dallas Animal Services captures these dogs soon.

Leave a comment

Recommending

Books I'm currently recommending . . . 

lush%20life.jpg

Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste who'd turn into a full-blown artiste some day. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America..You think The Wire, Law and Order, the old Homicide are the best TV has to offer? This is all that -- between covers.

In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships, war-time atmosphere and gruesome battlefield details are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for exceptional historical novels. A new trilogy? One hopes so.

more

Best of the Vault

THE REVIEWS: 

Pat Barker, Frankenstein, Cass Sunstein on the internet, Samuel Johnson, Thrillers, Denis Johnson, Alan Furst, Caryl Phillips, Richard Flanagan, George Saunders, Michael Harvey, Larry McMurtry, Harry Potter and more ...

ESSAY: 

Big D between the sheets -- Dallas in fiction

ESSAY:  

Reviewing the state of reviewing

ESSAY:  

9/11 as a novel: Why?

ESSAY:  

How can critics say the things they do? And why does anyone pay attention? It's the issue of authority.

The disappearing book pages:  

Papers are cutting book coverage for little reason

Thrillers and Lists:  

Noir favorites, who makes the cut and why

more

Blogroll

About this Entry

This page contains a single entry by book/daddy published on May 9, 2007 9:24 AM.

Bill Bryson: "Crazy as fuck but adorable to the tiniest degree" was the previous entry in this blog.

"We're winning the war against reading!" is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

special
Program Notes
the blog of the National Performing Arts Convention
culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.