Book reviews, future of -- from another source

Peter Osnos, of the Century Foundation, has a remarkably welcome column about newspaper book review pages: how newspapers might get more ads in them, how they could make the pages more interesting in a world where Starbucks has suddenly become a major player on the bestseller lists and how publishers could actually help in all this even with their tiny publicity budgets.

It's a welcome column, not just because it covers some of the points I've made about book review pages and their money sources, but because it actually advances sensible arguments not previously heard in all of the cutbacks and wailing over same. The notion, as advanced by Jay Trachtenberg in The Wall Street Journal, that the publishing industry has only itself to blame for cutbacks in ads (and therefore cutbacks in book sections), is pretty thin -- if not outright nonsense.

One of the more intriguing suggestions that Mr. Osnos offers is based on the education-industry ads that the NYTimes developed into what are now several pages for its Week in Review section. These can't be high-cost display ads (many of the little colleges couldn't afford them), yet they've become a standard feature of the section, certainly something of a moneymaker for the Times, otherwise they wouldn't continue. Mr. Osnos also notes that many small-press and university-press ads run in The New York Review of Books -- for what, again, must be relatively low rates. Yet they make money for the NYRB.

Why not something similar for book pages across the country?

In my experience, the weakness in this idea -- or the change that newspapers would have to make -- is that no single ad person handles book-related ads. They provide such small revenue. When I was the theater critic and tried to get The Dallas Morning News to collect all of the theater ads into a few pages in its Guide listings section -- the better to emphasize their presence, make them more like the Times' Broadway directory -- I found the ad department to be set up almost as if it were designed to frustrate what would seem to be a perfectly sensible idea. There was no single, point person to handle such ads; they came from different sources, were handled in different ways, ended up in different locations.

In short, newspapers generally don't have anyone trained to deal with such areas -- unlike the staff they have for car ads -- because the arts & entertainment field (except for movie or restaurant ads) is so nickel-and-dime. It would take some re-education (not impossible but necessary) for anything like Mr. Osnos proposes to get off the ground and the newspapers probably believe it just wouldn't be worth it.

But as he writes:

"Books, as has been said many times, have proven to be durable objects of popular interest against the onslaught of movies, television, and the Web. Book review sections and pages are vulnerable to the pressures of economics, but they always have been. What we need is for the people on both sides of the proverbial divide, the people who make and sell books and the people who publish newspapers and magazines, to realize that protecting and supporting book reviews is worth the trouble."

Thanks to Bill for the link.

March 13, 2007 6:08 PM | | Comments (2)

Categories:

2 Comments

Interesting and different.
Thanks.

I applaud the idea; most of us in the small press world would welcome the ability to get "ink" without sacrificing our entire promo budget for one 1/16 page ad...If we have to choose between that one ad and the rest of what we do, direct mail, postcards, co-op in stores, website links/search engine placements, we'll choose those we can track more easily, to see if they produce sales or even any ripples of interest.

Leave a comment

Recommending

Books I'm currently recommending . . . 

lush%20life.jpg
Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews -- and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste, the one he always thought would turn into a full-blown artiste. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures, generally oblivious to each other, and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America in the past decade. You think The Wire, Law and Order, the old Homicide series are the best TV has to offer? This is all that -- between covers.
In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence and return to combat, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches and they avoid it or embrace it. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships and war-time atmosphere (and gruesome battlefield details) are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for truly exceptional historical novels. A new trilogy? One hopes so.

more

Best of the Vault

THE REVIEWS: 

Pat Barker, Frankenstein, Cass Sunstein on the internet, Samuel Johnson, Thrillers, Denis Johnson, Alan Furst, Caryl Phillips, Richard Flanagan, George Saunders, Michael Harvey, Larry McMurtry, Harry Potter and

ESSAY: 

Big D between the sheets -- Dallas in fiction

more

Blogroll

About this Entry

This page contains a single entry by book/daddy published on March 13, 2007 6:08 PM.

In-law report was the previous entry in this blog.

Illiterates is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
On the Record
Exploring Orchestras w/ Henry Fogel
PostClassic
Kyle Gann on music after the fact
Rifftides
Doug Ramsey on Jazz and other matters...
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.