It was Colonel Mustard all along, right?

The Guardian reports that many of us insecure, simple-minded sorts like it when a mystery's whodunnit is easy to solve -- or so says a Ohio State University study. When we pick out the right suspicious-looking character, we feel a fairly pathetic "little self-esteem boost" (we now know we're at least as smart as the author, and certainly smarter than all the dimwits still scratching their heads).

On the other hand, any of us with high self-esteem find it disappointing when the suspect we thought was just too obviously guilty turns out to be, in fact, guilty. All of this seems a little self-evident for a scientific study to prove. It's rather like spotting the female guest star on a Law & Order episode: Seven times out of 10 on a Dick Wolf TV production, you know the woman is the perp, no matter how contrived the killing mechanism or how thorny the legal issue. This goes against the reality of violent crime statistics, but hey, if we had a uneducated, male drug addict-murderer in the docket every week, it'd get boring.

Don't get me wrong -- I love the shows. But it always does seem to be Dick Wolf's ex-wife, doesn't it? Or maye it's his mommy.

December 31, 2006 10:06 AM | | Comments (2)

Categories:

2 Comments

I don't mind the solve-the-case-in-an-hour scenario. I accept it as an implausible convention of the form, provided the social/legal issue underlying the drama is given some serious treatment -- that, it seems to me, is the whole justification for L&Q. I admit, though, I always preferred Homicide when it came to the treatment of police work and the sociology of crime.


As for SVU, it was always my least favorite of the franchise and I quickly stopped watching it (my wife continues, avidly). Part of the problem was that sex crimes, as one might imagine, are heavily weighted toward male criminals. But so as not to have a rapist or male pedophile every week, SVU keeps coming up with these bizarre scenarios with female sexual predators in some way. It's akin to -- in a flip-flop way -- why I don't watch any of the CSI shows: How many topless dancers, supermodels and prostitutes can they kill off each week?

As for regular L&O, I miss Lenny (Jerry Orbach), who was able to inject a little sour reality just by his delivery. And with Criminal Intent, I'm a big fan of Vincent D'Onofrio and Eric Bogosian as actors, but in order to tax D'Onofrio's incredible genius every week, we're back with these nutso-elaborate murder schemes and fantastical villains, who quickly become tiresome.

I gave up on those shows (which are like crack) after getting sick of the continual brilliance of the police. I'm aware that the point is to have the detectives solve a crime in an hour in a sufficiently clever, dramatic way, and that if it were done like it is in real life, that presumably might bore people. But the show that finally exhausted my patience was an episode of Law & Order SVU where a guy who had been wrongly convicted is released from jail, and to get revenge on the cop who put him there (innocently, of course!), he starts of a trail of gruesomely clever murders aimed at ruining the detective's career. So the one time the show addresses the issue of wrongful convictions, it does it in such a way that the victim is really so damn evil that even if he was wrongly convicted, he really deserved it!

As someone living in the same state as Tulia, that rubbed me way wrong.

Leave a comment

Recommending

Books I'm currently recommending . . . 

lush%20life.jpg

Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste who'd turn into a full-blown artiste some day. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America..You think The Wire, Law and Order, the old Homicide are the best TV has to offer? This is all that -- between covers.

In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships, war-time atmosphere and gruesome battlefield details are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for exceptional historical novels. A new trilogy? One hopes so.

more

Best of the Vault

THE REVIEWS: 

Pat Barker, Frankenstein, Cass Sunstein on the internet, Samuel Johnson, Thrillers, Denis Johnson, Alan Furst, Caryl Phillips, Richard Flanagan, George Saunders, Michael Harvey, Larry McMurtry, Harry Potter and more ...

ESSAY: 

Big D between the sheets -- Dallas in fiction

ESSAY:  

Reviewing the state of reviewing

ESSAY:  

9/11 as a novel: Why?

ESSAY:  

How can critics say the things they do? And why does anyone pay attention? It's the issue of authority.

The disappearing book pages:  

Papers are cutting book coverage for little reason

Thrillers and Lists:  

Noir favorites, who makes the cut and why

more

Blogroll

About this Entry

This page contains a single entry by book/daddy published on December 31, 2006 10:06 AM.

Funny thing was the previous entry in this blog.

A threnody: books and arts coverage is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

special
Program Notes
the blog of the National Performing Arts Convention
culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.