Striking real gold

You can't read it online, so you must buy a newstand copy of the November Harper's just for Dave Hickey's article, "It's Morning in Nevada: On the campaign trail in post-Bush America." Mr. Hickey is a superb and unconventional art critic (Air Guitar: Essays on Art and Democracy), but here he heads into political journalism. His essay is one of the sharpest, funniest pieces of political journalism since David Foster Wallace followed John McCain around ("Up Simba" in Consider the Lobster), and somewhat like that piece, it wrestles with glimmers of unironic hope.

This is Hickey at full throttle, explaining what is unique (and wonderfully American) about the vulgarity and hardscrabble virtues of his home state, Nevada:

"The state may be a rough jumble; the library may jangle with the tattoo parlor; Bagelmania-Vegas may jangle with Chicken-Ranch-Pahrump. But it is one culture and thrice blessed -- first by volunteer inhabitants who prefer Nevada to the place from whence they fled; twice blessed by being a WASP-deprived environment and the only state in the union that is not run from a white-napkin country club; thrice blessed by being virtually farmer-free, a site upon which the Middle American equation of agricultural drudgery and Christian virtue has no traction, where mercantile virtues triumph and your average Nevadan's experience of food production is confined to watching the 'lobster plane' land at McCarran airport every morning.

Nevada, in a word, is inauthentic. The mise en scene, whether it's the eloquent desert or the glamorous Strip, is just that, a theatrical setting, an adaptable backdrop before which the theater of human folly is acted out -- a usable drama in the midst of which the tricky business of extracting gold from 'them thar hills' or 'them thar tourists' transpires -- and this raw inauthenticity has its virtues. It repels the cozy communitarians, the identity politicians, and the devotees of Jeffersonian agrarian utopianism who make up a large majority of Those Doomed to Be Perpetually Disappointed."

October 30, 2006 12:13 PM | | Comments (3)

Categories:

3 Comments

I have lived in Las Vegas and southern nevada for seven years, and perhaps I am merely a dense Nevadan, too busy gorging myself on buffet food (fourteen kinds of potatos), and slipping fives into strippers twats, but it seems to me that nothing Hickey has any basis in reality. Instead it is a work of fiction dressed up as some sort of analysis, and depends on the assumption that nobody who lives here is going to read it too closely. After all, who has time to read with all the trips to Pahrump (which one never visits without paying a visit to good ol Trixie) and too busy busy watching the lobster plane. I don't care if Dave Hickey is rude or arrogant, but if his social criticism is not amusing then it has no value whatever.

I can't say whether people know Hickey better out this way. He is 'known' in Texas for the obvious reasons that he's from Fort Worth, was once the arts editor at the Ft Worth paper, opened the first truly 'modern' art gallery in Austin (A Clean Well Lighted Place) etc. I've met him through a dear, departed friend. One sign that he's known here somewhat: He just appeared in Dallas to talk to the convention of the Texas Society of Architects.

Have you read him on Beauty? That is still perhaps the source of his biggest public acclaim -- it was the topic of his Dallas talk, for instance. Or rather, that topic and his winning the MacArthur "genius" grant are the sources of some public attention. It's interesting; I love his work, but he does have the reputation among many of being a bastard, and if you don't know him or haven't read him and you hear him talk, you could pick up that impression. As he's perfectly willing to tell people, he doesn't really give a damn what artists say about their work. They often don't know what they've accomplished, no matter what they intended. It's actually a very old, standard critical position to take (even D. H. Lawrence once wrote, don't trust the artist, trust the artwork), but to hear Hickey say it so bluntly -- he sounds so 'anti-reverential' or disrespectful -- some people conclude he's an arrogant son of a bitch. A classic piece of Hickey, how he doesn't let anything bother him: He was interviewed on the local NPR station, and a woman called in, spoke only to the interviewer and said the guest today sounded completely full of himself and she wished they'd just switch to classical music. Hickey replied without a ruffle that he agreed. He'd much rather hear classical music than any art critic.

I agree about Air Guitar. The Harper's piece inspired me to dig out my copy and re-read a couple of the essays. They're so lovingly written; they're the only art criticism I know that nearly brings me to tears. Yet the Harper's piece was a wonderful hoot.

Thanks for writing.

Cheers to you for trumpeting Dave Hickey. Do people in Texas, and the west more generally, know him better. Here in the south (I'm in N.C.) I have pushed him to all I think might get him, and I don't think any of those folks had heard of him. Air Guitar is one of my all-time favorite essay collections. I'm waiting for some intrepid publisher to do a collected writings. I was thrilled to see his byline in Harper's and to get his views on ground level democracy at work in Nevada. I've always wondered if their are any copies of the dissertation which Hickey refers to being in the process of writing when he decided to drop out of grad school at UT...

Leave a comment

Recommending

Books I'm currently recommending . . . 

lush%20life.jpg

Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste who'd turn into a full-blown artiste some day. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America..You think The Wire, Law and Order, the old Homicide are the best TV has to offer? This is all that -- between covers.

In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships, war-time atmosphere and gruesome battlefield details are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for exceptional historical novels. A new trilogy? One hopes so.

more

Best of the Vault

THE REVIEWS: 

Pat Barker, Frankenstein, Cass Sunstein on the internet, Samuel Johnson, Thrillers, Denis Johnson, Alan Furst, Caryl Phillips, Richard Flanagan, George Saunders, Michael Harvey, Larry McMurtry, Harry Potter and more ...

ESSAY: 

Big D between the sheets -- Dallas in fiction

ESSAY:  

Reviewing the state of reviewing

ESSAY:  

9/11 as a novel: Why?

ESSAY:  

How can critics say the things they do? And why does anyone pay attention? It's the issue of authority.

The disappearing book pages:  

Papers are cutting book coverage for little reason

Thrillers and Lists:  

Noir favorites, who makes the cut and why

more

Blogroll

About this Entry

This page contains a single entry by book/daddy published on October 30, 2006 12:13 PM.

Snapshots from Austin was the previous entry in this blog.

Giggle and snicker is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

special
Program Notes
the blog of the National Performing Arts Convention
culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.