Best Blog Entry, ever

The nature of theater being what it is (ephemeral) and the nature of Dallas culture being what it is (oooooh, shiny, costly!), the idea behind establishing the Dallas Theater Critics Forum Awards 20 years ago was to give exceptional theater artists a little something extra to mark their best work. A form of thanks.

But these days, who wouldn't agree with Jason Cowley's point in the Guardian that pop culture has gone prize-crazy? He's elaborating on the argument made last year by John English in The Economy of Prestige: Prizes, Awards and the Circulation of Cultural Value.

It's not just that Hollywood found prize shows cheap to televise. Publishers know that when a reader is staring at a wall of books in a store, any little thing to help tip the purchase choice can help: the jacket design, the blurbs, the book's placement in the store and -- voila! -- the "belly band" and the "gold seal," those attention-getting devices on the cover that convey "acclaim" and "significance."

More than any critic or well-meaning organization, publishers have helped inflate the profile of book awards, although there's relatively little evidence they influence sales much (beyond the Pulitzer). And I'm certain the vast majority of readers couldn't distinguish among the American Book Award, the National Book Award, the National Book Critics Circle Award and the American Kennel Club. I once jokingly asked a leading book editor if a Pulitzer could actually increase sales by, say, 10,000 to 50,000 copies, had anyone ever thought of bribing a judge?

He laughed derisively. If I'm going to bribe anyone, he said, I'd bribe Oprah's producer.

In short, awards -- other than, say, the Quills -- tend to spring from idealistic intentions ("promoting excellence" gets used a lot in award press releases). Yet they end up inspiring betting pools on the Man Booker, Stephen King insulting critics and the entire "competitive sport" culture that English analyzes. One of the nice things about the Dallas Forum Awards has been their resolutely low-rent nature: no dinner, no trophy. And because the shows have generally closed, no box office.

That said, I'm looking forward to these awards. We need more like them. Simon Dumenco of Advertising Age is looking to pick the worst magazine covers of the past 41 years. My favorite so far is the wounded Rosie O'Donnell on the cover of her own publication, looking as though someone has pulled a thorn from her paw.

October 22, 2006 10:00 AM | | Comments (0)

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Recommending

Books I'm currently recommending . . . 

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Richard Price's best novel since Clockers, Lush Life is a slice of life on the Lower East Side, complete with the ghetto kids, the new bohemians, the old Jews and the cops. A restaurant manager at 35 fears he's no longer the wannabe artiste who'd turn into a full-blown artiste some day. When he sees a younger version of himself get shot during a mugging (and then gets blamed by the cops), he comes apart. Price takes these cultures and stares through all of them. Lush Life is a crime novel, a terrific literary thriller, a sampler of Price's namebrand talents with dialogue and deadpan humor. Price is after more than just law-and-order, crime-and-punishment, justice-is-served. This is a portrait of big-city America..You think The Wire, Law and Order, the old Homicide are the best TV has to offer? This is all that -- between covers.

In Life Class, Booker Prize-winner Pat Barker returns to World War I, the setting for her magnificent Restoration trilogy. Where those novels followed shell-shocked poets Siegfried Sassoon and Wilfrid Owen through their convalescence, Life Class follows three painting students (based on real Slade School artists Christopher Nevinson and Paul Nash) as the war approaches. Elinor wants little to do with the war or with men: They're distractions from her art. Kit, a hot, young futurist, is primed for the war's industrialized destruction, while Paul flees his working-class background. As usual with Barker, the sexual relationships, war-time atmosphere and gruesome battlefield details are brilliantly conveyed: Her prose is lean but lyrical, compassionate yet cool-headed. No character is quite as compelling as Regeneration's bitter bisexual, Billy Prior, but the Great War's upheavals in art and combat, sex and class, provide Barker with material for exceptional historical novels. A new trilogy? One hopes so.

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Pat Barker, Frankenstein, Cass Sunstein on the internet, Samuel Johnson, Thrillers, Denis Johnson, Alan Furst, Caryl Phillips, Richard Flanagan, George Saunders, Michael Harvey, Larry McMurtry, Harry Potter and more ...

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How can critics say the things they do? And why does anyone pay attention? It's the issue of authority.

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This page contains a single entry by book/daddy published on October 22, 2006 10:00 AM.

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