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For What It's Worth

Michael Rushton on pricing the arts

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Archives for 2025

On art and the pursuit of power

February 11, 2025 by Michael Rushton Leave a Comment

The arts themselves, as I considered the matter, by their ultimately sensual essence, are, in the long run, inimical to those who pursue power for its own sake. Conversely, the artist who traffics in power does so, if not necessarily disastrously, at least at considerable risk. A Buyer's Market (1952). … [Read more...]

A few words from your friendly neighbourhood Canadian: updated

February 2, 2025 by Michael Rushton 6 Comments

This is a blog about arts management and policy. But as someone who has led many students through the basics of international trade, and as your resident Canadian, I'm going to use this space for a few words on the current state of relations across the 49th parallel. As bad as things are in the current tariff dispute, I don't think it's the worst thing happening right now. Targeting vulnerable groups is cruel, and worse. Recent Cabinet appointments are as unqualified as one could possibly imagine (under an administration claiming a … [Read more...]

What is public funding of the arts for?

January 2, 2025 by Michael Rushton 3 Comments

Some Adam Smith as an appetizer… Consumption is the sole end and purpose of all production; and the interest of the producer ought to be attended to, only so far as it may be necessary for promoting that of the consumer. The maxim is so perfectly self-evident, that it would be absurd to attempt to prove it. Now to the present. Nashville’s WPLN public radio reports on a dispute at the city’s Metro Arts agency: The debate can be summed up like this: should Metro Arts focus its grantmaking on individual artists or arts … [Read more...]

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Michael Rushton

Michael Rushton taught in the Arts Administration programs at Indiana University, and lives in Bloomington. An economist by training, he has published widely on such topics as public funding of the … MORE

About For What It’s Worth

What’s the price? Everything has one; admission, subscriptions, memberships, special exhibitions, box seats, refreshments, souvenirs, and on and on – a full menu. What the price is matters. Generally, nonprofit arts organizations in the US receive about half of their revenue as “earned income,” and … [Read More...]

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Recent Comments

  • Carlo on What to do with the NEA? Make it Conservative?: “The Kennedy Center is offering $25 tickets in only select orchestra seating for the performances of Washington National Opera: Porgy…” May 20, 14:17
  • Carlo on Art in Turbulent Times: “The Kennedy Center today is selling discounted tickets for the Washington Opera for $20.” May 1, 21:31
  • Montague Gammon III on Art in Turbulent Times: “We would like to think that a Trumped Kennedy Center would experience a significant downturn in attendance, but we should…” Apr 22, 05:51
  • Ed Comet on What do to with the NEA? Pull the plug?: “The author has gone to the Grand Canyon with a magnifying glass, and found the rocks uninteresting.. The NEA does…” Apr 12, 16:42
  • Brtian Newhouse on What do to with the NEA? Pull the plug?: “I think that for arts patronage to work, there has to be some consensus that the activities of making and…” Apr 12, 14:28
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