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Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

#jazzlives weekend update: 12-day count of tweeting fans

Buzz about who played live jazz where marked with the hashtage #jazzlives flew throughout cyberspace this weekend  — catch it all here. The impromptu campaign produced anecdotal evidence that a young and vigorous audience for America’s modern
vernacular creative music does indeed exist, spreading enthusiastic word via the social network Twitter of sets at Chicago, Tanglewood, Los Angeles (x2), Detroit and Stevens Point (Wisconsin) jazz festivals and gigs in New York, Tokyo, etc,. far and wide.

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#jazzlives: listeners tweet from across the U.S.

Audiences for live jazz from East Coast to West, North border to South, all points between and some beyond are using Twitter and the hashtag #jazzlives to buzz about bands and venues they like. A campaign begun to encourage “anecdotal evidence” that demonstrates a vibrant listenership for America’s indigenous music has resulted in hundreds of brief messages — some with links to photos of crowds, video and podcasts. No final count yet; this weekend could be big with jazz fests at Tanglewood, Detroit, Chicago, LA, Philly, Aspen, Vail, etc. And this experiment isn’t statistically relevant, just a volunteer shout-out. But people all over have big ears and broad tastes, as their little tweets demonstrate. Count yourself in by tweeting (Twitter accounts are free), using #jazzlives — as individuals have in the following samples —

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Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

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