Tom Moon

Future of music journalism: It’s about the audience (?)

October 7, 2009 by Howard Mandel

The dozen "music journalism" professionals at yesterday's Condition Critical panel of the Future of Music Coalition's three-day long "policy summit" became somewhat divided (at least from my perspective) over the course of a well-attended hour & three-quarters session. At one end of a spectrum of opinion were the old guard -- me, Greg Kot of the Chicago Tribune and Tom Moon, formerly of the Philadelphia Inquirer -- asserting that good music journalism puts the music in context, "illuminates, educates and entertains" its readers and reaches … [Read more...]

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

Maureen Shea on City of Chicago, music promoter: “I agree with Jan. Thanks Howard!” Sep 3, 12:27
Howard Mandel on City of Chicago, music promoter: “Thanks Jan, but it’s only a bit of what’s going on. There’s a LOT more I know about and much…” Sep 1, 12:49
Jan on City of Chicago, music promoter: “Man! That is the compleat piece! Thank you . Grateful too for all those for all those USEFUL links. What…” Aug 31, 17:29
Phil Dorsey on City of Chicago, music promoter: “Thank you for sharing some of the jazz history of your hometown!” Aug 30, 12:37
Howard Mandel on Record man Koester’s blues and jazz legacy: “Thanks Dick. Bob was indeed a character with a wealth of stories and knowledge. Lest anyone thing otherwise from my…” May 20, 15:19

ESP Disks — origins of jazz beyond jazz

Reviewing a sleeping giant, ESP Disks before its early '00s revival Howard Mandel c 1997, published in issue 157, The Wire It was a time before psychedelics. Following the seismic cultural disruptions of the mid '50s, rock 'n' roll had hit a … [Read More...]

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

[contextly_auto_sidebar id="IFeXJPobvykRyuU4dU68FilRPv0EE8oC"] This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]