Thelonious Monk Institute of Jazz

NEA supports jazz and US arts nationwide

June 15, 2017 by Howard Mandel

The National Endowment of the Arts, arguably the most misunderstood and beleaguered doing-good office of the federal gov't (excluding the NEH, EPA, Consumer Financial Bureau, Civil Rights Division of the Justice Dept., and a few others) has issued its 2017 funding report, highlighting that its monies (monies from we US taxpayers) flow to communities in all 50 states and five territories. Included is support for 36 jazz-related projects, most generated in the usual cities but also to entities based in Baton Rouge LA; Hartford CT; Pinecrest and … [Read more...]

Whatever happened to International Jazz Day?

May 1, 2017 by Howard Mandel

April 30 -- yesterday -- was celebrated as the sixth annual International Jazz Day with a global webcast from Havana, hosted by Will Smith, headlined by pianist Herbie Hancock and including a couple of dozen top notch musicians from the U.S., Russia, Cameroon, France and Korea as well as Cuba. Did you know? Advance publicity and followup coverage has been but a dot on the attention focused on IJD last year, when President Barack Obama hosted a splendiferous Jazz Day in the White House. Considering the leader of the regime replacing Obama's … [Read more...]

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

Maureen Shea on City of Chicago, music promoter: “I agree with Jan. Thanks Howard!” Sep 3, 12:27
Howard Mandel on City of Chicago, music promoter: “Thanks Jan, but it’s only a bit of what’s going on. There’s a LOT more I know about and much…” Sep 1, 12:49
Jan on City of Chicago, music promoter: “Man! That is the compleat piece! Thank you . Grateful too for all those for all those USEFUL links. What…” Aug 31, 17:29
Phil Dorsey on City of Chicago, music promoter: “Thank you for sharing some of the jazz history of your hometown!” Aug 30, 12:37
Howard Mandel on Record man Koester’s blues and jazz legacy: “Thanks Dick. Bob was indeed a character with a wealth of stories and knowledge. Lest anyone thing otherwise from my…” May 20, 15:19

ESP Disks — origins of jazz beyond jazz

Reviewing a sleeping giant, ESP Disks before its early '00s revival Howard Mandel c 1997, published in issue 157, The Wire It was a time before psychedelics. Following the seismic cultural disruptions of the mid '50s, rock 'n' roll had hit a … [Read More...]

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

[contextly_auto_sidebar id="IFeXJPobvykRyuU4dU68FilRPv0EE8oC"] This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]