• Home
  • About
    • Jazz Beyond Jazz
    • Howard Mandel
    • Contact
  • AJBlogs
  • ArtsJournal

Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

JazzBash! Immersive virtual Awards event plus!

I daresay the JazzBash! on Sunday, 9/11 is the first ever virtual hybrid Awards party/live Jazz Cruise auction/online concert from six U.S. cities/conference of activist panelists/bar with storytellers and presenters, live improvised painting, exclusive jazz photography exhibits and more — in immersive environments depicting noted jazz sites through which attendees — musicians, critics, the general public — can roam at will, by cursor.

video by Michal Shapiro — starts black but hit arrow!

Thanks to the genius of SyncSpace.live, the Jazz Journalists Association (of which I’m president, driving this production — promotion acknowledge!) is throwing a one-time-only, five-ring demonstration of what can be done, media-wise, to bring together individuals and groups in an online experience with interactive functionality beyond that of Zoom, for instance. “Rooms” in the customized JazzBash pay homage to the Jazz Showcase of Chicago, Sharp 9 Gallery in Durham NC, and the Blue Note NY, where many of the 20 archival performance videos were shot. Attendees can talk in groups or private side-chats, use text box, vote for art preferences — and bid in live auction for a stateroom on the Blue Note at Sea 23 cruise from Ft Lauderdale Jan 13 – 20, with stops in St. Maarten and St. Thomas — (minimum bid $700 for a $7000 value, contact CruiseBid2022@JazzJournalists.org).

Some 60 musicians are participating with live appearance or video messages, including winners of the 27th annual JJA Jazz Awards announced last April such as Musician of the Year Jon Batiste, Lifetime Achievement in Jazz honoree Sheila Jordan, Kenny Garrett for his Album of the Year Sounds from our Ancestor, reeds master Charles Lloyd, who won Midsized Ensemble of the Year with his band The Marvels (featuring guitarist Bill Frisell).

The singing trio Duchess performs live with guest clarinetist Anat Cohen; we’ll hear guitarist Louis Valenzuela’s band from San Diego, pianist and scholar Deanna Witkowski playing a Mary Lou WIlliams composition from Pittsburgh; pianist-vocalist-El Paso Jazz Girls founder Amanda Ekery, and saxophonist Ernest Khabeer Dawkins‘ quartet from Chicago. Terri Lyne Carrington, Nicole Mitchell and Yngvil Vatn Guttu — a multi-instrumentalist arts activist from Anchorage — discuss “Updating the Canon,” (moderated by WRTI’s evening jazz host Greg Bryant); other panels being “Where My Music’s Going” (Jane Ira Bloom, Vijay Iyer and James Brandon Lewis, moderated by Neil Tesser) and “Jazz Family Roots” (Melissa Aldana and James Francies, moderated by Willard Jenkins). Photographer Carol Friedman shows her iconic “Images,” Lewis Achenbach will paint improvisationally to the live music, the great Bill Crow will tell jazz stories and great Jon Faddis will crack jazz jokes. That’s not the half of it.

Grid created by Lauren Deutsch

The point of all this is to show that digital media be very enjoyably and creatively used to convene, communicate, entertain and enlighten. We don’t have to sit in checkerboard squares as dull as office cubicles in order to have fun, or be productive, remotely. While sitting at our laptops we can leave our surroundings to commune with folks half-way ’round the world. It amazes me. No plane ticket necessary, no hotel room, and a great savings of time.

Maybe the pandemic is over, and in-person normality coming back. Wouldn’t that be nice? But if it ain’t, and we want to scale back traveling yet reach ever broader networks . . . there are alternatives. True, there will be no pressing of the flesh at the JazzBash!, group drinking will happen only on a distanced and byo basis, glad-handing will be virtual. Well, there’s nothing like the real thing — but the JazzBash! is a stab at an engaging second best.

New NEA Jazz Masters: A classy last class

The National Endowment for the Arts’s final designated Jazz Masters are all worthy: drummer Jack DeJohnette, saxophonist Von Freeman, bassist Charlie Haden, singer Sheila Jordan and trumpeter-educator-organizer-gadfly Jimmy Owens have had long and profoundly influential if not broadly celebrated or financially rewarded creative careers. So much the worse that this 30 year program highlighting genuine American artistic heroes has been zeroed out in the 2012 budget, to be replaced by proposed “American Artist of the Years Awards” that will toss jazz musicians into a mix including every kind of artist working in the performing arts (defined as dance, music, opera, musical theater and theater), with a de-emphasis on long-demonstrated artistry (I’ve blogged about this in detail previously). 

The Jazz Masters announcement was made in conjunction with announcements of new NEA National Heritage Fellowships and NEA Opera Honors recipients; both those programs have also been eliminated in the NEA’s 2012 budget.

[Read more…]

More on McFerrin, and the voices of New York

I already posted about Bobby McFerrin’s Jazz at Lincoln Center performance of VOCAbuLarieS, his uplifting choral suite co-composed by Roger Treece — but my new column in City Arts-New York goes further, noting other singers giving voice to Thanksgiving and other warm sentiments. And slightly belated happy birthday to Sheila Jordan, who recently celebrated her 82nd year performing at the Jazz Standard. She’s a peach, and having her with us is something to be thankful for . . . 


h

howardmandel.com
Subscribe by Email |
Subscribe by RSS |
Follow on Twitter
All JBJ posts |

Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

@JazzMandel

Tweets by @jazzbeyondjazz

More Me

I'll be speaking:

JBJ Essentials

Archives

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license