There’s not much time left, so here are three of my best memories of live music over this crazy year, and a couple handfuls of favorite recordings that promise to be listenable for quite a while forward —
Jazz elders cast giant shadows
Muhal Richard Abrams – photo credit sought – no copyright infringement intended
Why isn’t the amazing current generation of creative (jazz) musicians better known? Maybe because major artists of the not-so-distant past are practicing the art form at splendid peaks, overturning clichés about dwindling powers of octogenarians. Read my column in City Arts New York for a report that touches on Sonny Rollins, Roy Haynes and Muhal Richard Abrams, who tower over the start of the fall 2010 season.
Sonny the sax king
At age 80, Sonny Rollins is indisputably the greatest living jazz tenor saxophonist, proved last night throughout a 2-hour set at New York’s sold-out Beacon Theater in which harmolodic sage Ornette Coleman sat in, backed by drummer Roy Haynes and bassist Christian McBride, on “Tenor Madness.” “Sonnymoon For Two”. Rollins was hunched and hobbled when he came onstage, but once he started blowing he stood upright and blasted his big bold sound with energy that brooked no diminishment of strength or inspiration, bending only to fire another fussilade of freshly wrought invention as if from his guts.
Guest brassman Roy Hargrove paced Rollins melodically on “I Can’t Get Started” and one of Sonny’s vamp-based songs; Jim Hall had to tune up his guitar while starting to interact with Sonny on “In A Sentimental Mood,” but found his place, and Sonny’s standing band w/ guitarist Russell Malone, elec. bassist Bob Cranshaw, drummer Kobie Watkins and conga-player Sammy Figueroa was better than solid — but it was the Old Man himself who kept raising the stakes with gruff, hearty, spirited, virtuosic roars and runs.