Roulette, since 1978 a formerly humble Manhattan-based presenter of avant-garde “intermedia,” has signed a 20-year lease on a former YWCA art deco 600-seat theater in Brooklyn. This Next weekend (Oct. 7, 8, 9) is the space’s three-night benefit “Easy Not Easy,” assigning emerging (read: little known) artists presumably simple scores by such its longtime stalwarts as Pauline Oliveros and John Zorn. Read more all about it in my column in City Arts – New York . . .
Henry Threadgill, seer beyond ‘jazz’
In my City Arts column: a new album and Roulette concert with commissioned work from a worldly-wise 65 yr-old NYC/East Village-based composer-bandleader who keeps looking at music — Varese’s and Wagner’s, Scott Joplin’s and Ornette Coleman’s — to find something new. I call Henry Threadgill a prophet in the wilderness, urgently trying to shake us from complacency. At De Roberti’s classic Italian pastry shop for coffee yesterday, Threadgill claimed he’s just helping American music born in the urban late 20th century to develop its full potential, and it’s got a long ways to go.
Best American city for jazz? Chicago
I’m a Chicago homie — long removed but never really gone — so don’t expect objectivity, but a recent visit proved my native metropolis is #1 in America and maybe everywhere for its active, creative, meaningful, almost-economically-viable, neighborhood-rooted, exploratory and world class jazz. I say this even as my dearly adopted New York City kickstarts as freshly energized a fall season as any I recall.
Jazz is the lifeblood of Chicago in a way it ain’t in NYC, at least not right now. Jazz-soul-blues is Chicago’s street music. Chicago’s citizens — not just its visitors — seem to consider jazz this music their personal due. It’s what you hear at O’Hare going in and out of town.
Today’s the day NYC goes beyond jazz
On September 17,New York kicks off a fall season more highly charged with new creative energies than any in memory. An army of mostly young, skilled, ambitious and devoted musicians is making itself heard in the East Village, Soho, Brooklyn, on the Lower West Side and in the clubs — while benevolence is cast by the first ever performance — at last — of Ornette Coleman at Jazz at Lincoln Center, Sept. 26.
Take an “outside” chance on musical experimentation
My column in May’s City Arts NYÂ urges Adam Rudolph’s conducted Go: Organic Orchestra improvs and the Mixology Fest (both at Roulette) and the 14th annual Vision Festival as ways to break out of conventions and celebrate spring. (In order to read the column, you have to zoom in on “Jazz”).Â
I should have also mentioned guitarist Marc Ribot’s concerts all over town inspired by his 55th birthday, alto saxophonist Roy Nathanson’s Subway Moon cd-book release party (which was May 15) at Joe’s Pub. There’s just so much to do here in the big city. . . .
howardmandel.com
Subscribe by Email |
Subscribe by RSS |
Follow on Twitter
All JBJ posts |
Jazz time-out of the year?
A major international jazz festival right now in Washington D.C.? How odd: Is it the End of Times? Are we fiddlin’ while Rome burns? Or could it be a new beginning?Â
Ignore the credit crisis, the vp debates, end-game positioning by the One and the Other, Rosh Hashanah and Eid, Cubs and White Sox both in the playoffs — here’s the under-promoted but highly impressive fourth annual Duke Ellington Jazz Festival, Oct. 1 – 7! Balancing Kennedy Center concerts with “jazz in the ‘hoods”  (club and arts center gigs mostly but not only NW), sophisticated globalism with emerging artists, the best of student and local ensembles (Berklee College of Music Latin Jazz All-Stars at the Duke Ellington School of the Arts) as well as a free Sunday afternoon marathon featuring blues songster Taj Mahal, incomparable pianist McCoy Tyner, hot-hot singer Dee Dee Bridgewater, bravura bassist Christian McBride and trombonist Conrad Herwig’s Latin Side Project on the National Mall . . . If it didn’t take months to organize events on this scale, one might suspect the DEJF is a convenient circus to distract us from uproar, uncertainty, faith-based initiatives and existential dread.