Mark Guest

Asheville’s grassroots musicians’ benefit for Haiti

January 20, 2010 by Howard Mandel

Mark Guest, guitarist, has organized a grassroots "Jazz and Blues for Haiti" benefit for Doctors Without Borders on Monday Jan 26 Jan 25 at Curras Nuevo Cuisine in Asheville, NC, a town he says "doesn't to my knowledge have an immediate Haitian connection." But Guest wanted to do something for people in crisis worth more than $10 bucks and knows how to leverage his skills; besides, he's felt nature's wrath himself, having been driven from Gulf Coast, where he and his wife lived "a beer-and-a-half from New Orleans' French … [Read more...]

Jazz benefits and fight song for Haiti

January 18, 2010 by Howard Mandel

The jazz world's response the Haitian earthquake isn't overwhelming, but every bit helps. The Groove Collective benefit is tomorrow, Tues, Jan 19, at (le) poisson rouge in Manhattan; a Seattle community jazz fest is at multiple venues Wed., Jan 20, and St. Louis jazz musicians for Haiti gather at Sheldon Concert Hall on Tuesday, Feb 9. Last Sunday (Jan 17) St. James Episcopal Church in Jamaica Plain, Boston, added a "meditative jazz improvisation component" by pianist Ben Schwendener to its regular Night Song presentation of … [Read more...]

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

Howard Mandel on RIP Annie Ross: Her last stand with Jon Hendricks: “Thanks Glenn, Thanks for the kudos, glad you enjoyed, all’s ok here. Hoping things get even better, of course? Stay…” Jul 22, 20:03
Glenn Wilson on RIP Annie Ross: Her last stand with Jon Hendricks: “Howard – thanks for posting this. Great writing, as usual. I learned a lot about Annie. Hopefully, wherever she is,…” Jul 22, 17:51
Howard Mandel on Four months of jazz adaptation, resilience, response to epidemic: “Harry, you’re right, what was I thinking? Corrected. thanks for noticing.” Jul 8, 10:16
Harry Waze on Four months of jazz adaptation, resilience, response to epidemic: “Not to pick nits with this well-researched and extensive discussion of life-affirming resources for these crazy days – but -…” Jul 6, 11:55
Howard Mandel on Four months of jazz adaptation, resilience, response to epidemic: “glad of that, Heidi.” Jul 3, 12:19

ESP Disks — origins of jazz beyond jazz

Reviewing a sleeping giant, ESP Disks before its early '00s revival Howard Mandel c 1997, published in issue 157, The Wire It was a time before psychedelics. Following the seismic cultural disruptions of the mid '50s, rock 'n' roll had hit a … [Read More...]

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

[contextly_auto_sidebar id="IFeXJPobvykRyuU4dU68FilRPv0EE8oC"] This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]