Little Black Pearl

Hyde Park Jazz Fest, summer’s last dance (photos)

October 1, 2017 by Howard Mandel

Chicago's Hyde Park Jazz Festival in the first days of fall (Sept. 23 & 24th) which were unusually hot, is an exceptional event, curated for creative artistry, local and otherwise, drawing a highly diverse crowd to a fair that mixes popular and specialized performances at a range of boutique venues. Produced by an independent 501c3, the 11-year-old Hyde Park Jazz Festival receives some support from the University of Chicago's Office of Civic Engagement, and has co-founders in principals from the Hyde Park Jazz Society but relies … [Read more...]

African roots, Middle Eastern extensions in Hyde Park Jazz Fest

September 26, 2016 by Howard Mandel

Pianist Randy Weston, a magisterial musician at age 90 inspired by jazz traditions and its African basics, and trumpeter Amir ElSaffar, who has devoted himself to incorporating the Middle East's modal, microtonal maqam legacy into compositions for jazz improvisation by members of his Two Rivers Ensemble, were highlights of last weekend's 10th annual Hyde Park Jazz Festival. Both acts brought influences from afar back home. The two-day fest in the neighborhood soon to host Barack Obama's presidential library focused on local performers … [Read more...]

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

Howard Mandel on Four months of jazz adaptation, resilience, response to epidemic: “Harry, you're right, what was I thinking? Corrected. thanks for noticing.” Jul 8, 10:16
Harry Waze on Four months of jazz adaptation, resilience, response to epidemic: “Not to pick nits with this well-researched and extensive discussion of life-affirming resources for these crazy days - but -…” Jul 6, 11:55
Howard Mandel on Four months of jazz adaptation, resilience, response to epidemic: “glad of that, Heidi.” Jul 3, 12:19
Howard Mandel on Four months of jazz adaptation, resilience, response to epidemic: “thanks Peter, but I only scratched the surface. What I've written about here has multiplied manifold.” Jul 3, 12:18
Heidi Ann Fleming on Four months of jazz adaptation, resilience, response to epidemic: “Really enjoyed this article!” Jul 3, 12:02

ESP Disks — origins of jazz beyond jazz

Reviewing a sleeping giant, ESP Disks before its early '00s revival Howard Mandel c 1997, published in issue 157, The Wire It was a time before psychedelics. Following the seismic cultural disruptions of the mid '50s, rock 'n' roll had hit a … [Read More...]

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

[contextly_auto_sidebar id="IFeXJPobvykRyuU4dU68FilRPv0EE8oC"] This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]