Presentations of jazz that break all sorts of bounds, pushing far beyond stale conventions — jazz beyond jazz — are so prevalent in Manhattan that the energy expended just being on the scene can leave me too drained to report on the good stuff. Five shows in the past month – Dee Dee Bridgewater’s Mali project at the Blue Note, Myra Melford‘s new quartet at Roulette, Richard Bona and Lionel Loueke in the Allen Room of Jazz at Lincoln Center, James “Blood” Ulmer with Vernon Reid’s neo-blues band at the Jazz Standard and an evening celebrating the AACM chronicle and music of George E. Lewis at the Kitchen — while different as can be, barely hint at the range of what’s happening here and now.
Howard Mandel's Urban Improvisation
