Dave Fiuczynski

Seasonal electricity: jazz “fusion” in NYC

December 9, 2010 by Howard Mandel

Fusion, fission, energy and virtuosity reign supreme over coming holiday weeks as jazzers beyond genre constraints fill New York clubs. Starting tonight (Dec. 9) double-necked guitar madman Dave Fiuczynski fires up Iridium with ripping alto saxophonist Rudresh Mahanthappa and jam-band idol John Medeski on keybs; jazz sambas and tangos, ex-Milesian Mike Stern and smooth trumpeter Chris Botti, soul-drench organist Dr. Lonnie Smith and the Bad Plus follow. Details here, at my new column for City Arts-New York. And below -- Fuze, vocalist Dean … [Read more...]

Guitar heroes, virtual and actual

November 16, 2008 by Howard Mandel

The phenomenon of Guitar Hero is unaccountable to most musicians. Why would anyone spend hours miming moves with a fake instrument when given similar time investment you could make music yourself, live, and with friends? Nonetheless, the game is the Christmas season's most highly anticipated music item. As for disappointing early sales reports for "World Tour," its just-released new edition, aren't sales down for everything, everywhere?Here's my flick at stimulating the music economy -- consumer alerts to recommended new cds by guitar heroes … [Read more...]

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

Alan on Dr. John, Back in the Day and Blindfolded: “What a great memory. I had the pleasure of photographing him opening for Alice Cooper in 1972 at the…” Jun 7, 14:47
Alan Frohlichstein on Digging Our Roots videos, speakers inspire engagement: “Great program! I am glad I was able to attend. Alan” May 25, 13:20
Howard Mandel on Guitarist Kenny Burrell shouldn’t be in trouble. But he is.: “The problems are most immediately financial, resulting in fears of eviction and homelessness, caused by losses detailed in the GoFundMe…” May 16, 15:07
G. C. Szmulewicz on Guitarist Kenny Burrell shouldn’t be in trouble. But he is.: “So what seems to be the problem ??” May 16, 13:40
Diane S Gordon on Guitarist Kenny Burrell shouldn’t be in trouble. But he is.: “Yeah, I was surprised to hear this, especially since I know that he is a professor at UCLA. Apparently, there…” May 13, 08:54

ESP Disks — origins of jazz beyond jazz

Reviewing a sleeping giant, ESP Disks before its early '00s revival Howard Mandel c 1997, published in issue 157, The Wire It was a time before psychedelics. Following the seismic cultural disruptions of the mid '50s, rock 'n' roll had hit a … [Read More...]

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

[contextly_auto_sidebar id="IFeXJPobvykRyuU4dU68FilRPv0EE8oC"] This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]