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Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Chicago hears Ornette Coleman — This is our music

An estimated 20,000 to 30,000 listeners of all ages, genders, races, religions — Americans and visitors from abroad, too — enjoyed the directly expressive, highly personalized music of Pulitzer Prize-winner Ornette Coleman as the finale of the outdoor Chicago Jazz Festival last Sunday night. The attentive, mellow and celebratory audience response, including a standing ovation throughout the 5000 seats nearest the bandshell in Grant Park, suggested that improvisation created without a priori conventions or artificial constraints, which Coleman throughout his remarkable career has alluded to as “free jazz,” “harmolodics” and “sound grammar,” upon easy access and unpressured exposure, is as natural as breathing, feeling and talking. As Coleman declared on one of his recordings almost 50 years ago, This is our music.

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Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

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