There’s not much time left, so here are three of my best memories of live music over this crazy year, and a couple handfuls of favorite recordings that promise to be listenable for quite a while forward —
She plays like a girl? That’s hot — and cool!
Women are making future jazz history — despite seldom showing up in top high school band competitions. My new column in City Arts – New York’s Review of Culture, has local names and immediate dates; jazz gender parity is a slow movement but my bet is it’s irreversible.
Portland jazz fest hails Blue Note, cancels Cassandra
The PDX Jazz Festival in Portland, Oregon last week began to garner good reviews for its programs, many of which celebrate the 70th anniversary of the founding of Blue Note Records. Yet as the first major jazz festival of 2009, it may be the canary in the coalmine regarding effects of the economic downturn. Last fall Alaska Airlines rescued the fest from folding after its major funder, Seattle-based Qwest Communications, pulled out, having been one of the decade’s 25-worst performing S&P 500 Index stocks. Now, according to PDX Jazz artistic director Bill Royston, severely disappointing ticket sales forced his cancellation of a major show scheduled for Friday 2/20 headlined by singer Cassandra Wilson, with pianist Jason Moran‘s band as an opening act.
“I’ve never cancelled a show before in 30 years,” Royston told me, continuing, “Other than sales, which are somewhat down across the boards, we’re doing fine.”
Ten top of 2008 and many more recommendations
So much music, so little time — it’s absurd to whittle down this year’s “best” recordings to 10, an act that merely bows to convention. Why not 15? 25? 50? — if there are that many albums that reward repeated listening with enjoyment and revelation.
I make no claims for the following list being definitive — I haven’t yet had a chance to hear once many of the some 1100 promising cds that arrived for consideration of review since November 1 2007. But I guarantee that none of these recommendations are made on the basis of anything except my liking how they sound, and I didn’t work directly (write liner notes, pr material or consult) regarding any of them. As always, comments on my choices or choices of your own are invited and I urge you to try some out-of-the-ordinary sounds — sure beats “Jingle Bells,” even by the Million Dollar Quartet — right away!Â