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Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Visionaries photo’d at NEA Jazz Masters concert

Just in —  Muhal Richard Abrams conducting the Jazz at Lincoln Center Orchestra, and Yusef Lateef on tenor sax with percussionist Adam Rudolph, fine performance photography by Frank Stewart from the National Endowment for the Arts’ Jazz Masters concert. My post on the concert is here, and the images are below —

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Wynton & Orch play NEA Jazz Masters, on radio tonight!

Just announced: WBGO, NPR and Sirius/XM are broadcasting live and streaming on the web tonight’s NEA Jazz Masters ceremony and concert with W. Marsalis and the LIncoln Center Jazz Orchestra performing works by Muhal Richard Abrams, Bill Holman, Bobby Hutcherson et al. Pianist Cedar Walter will perform with singer Annie Ross, Kenny Barron will play solo piano and the great Yusef Lateef will duet with percussionist Adam Rudolph. Rocco Landesman, NEA chairman, co-hosts the proceedings. Tune in at 7:30 pm EST.


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Best American city for jazz? Chicago

I’m a Chicago homie — long removed but never really gone — so don’t expect objectivity, but a recent visit proved my native metropolis is #1 in America and maybe everywhere for its active, creative, meaningful, almost-economically-viable, neighborhood-rooted, exploratory and world class jazz. I say this even as my dearly adopted New York City kickstarts as freshly energized a fall season as any I recall.

Jazz is the lifeblood of Chicago in a way it ain’t in NYC, at least not right now. Jazz-soul-blues is Chicago’s street music. Chicago’s citizens — not just its visitors — seem to consider jazz this music their personal due. It’s what you hear at O’Hare going in and out of town.

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Today’s the day NYC goes beyond jazz

On September 17,New York kicks off a fall season more highly charged with new creative energies than any in memory. An army of mostly young, skilled, ambitious and devoted musicians is making itself heard in the East Village, Soho, Brooklyn, on the Lower West Side and in the clubs — while benevolence is cast by the first ever performance — at last — of Ornette Coleman at Jazz at Lincoln Center, Sept. 26.

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Take an “outside” chance on musical experimentation

My column in May’s City Arts NY urges Adam Rudolph’s conducted Go: Organic Orchestra improvs and the Mixology Fest (both at Roulette) and the 14th annual Vision Festival as ways to break out of conventions and celebrate spring. (In order to read the column, you have to zoom in on “Jazz”). 

I should have also mentioned guitarist Marc Ribot’s concerts all over town inspired by his 55th birthday, alto saxophonist Roy Nathanson’s Subway Moon cd-book release party (which was May 15) at Joe’s Pub. There’s just so much to do here in the big city. . . .

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Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

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