Here’s to urban music, transformative perspectives and the new year —
image: JA Kawell
Experimental singer, frankly in need. Who isn’t?
Mossa Bildner, an indefatigable vocalist and performance artist, is the subject of today’s “The Neediest Cases” column in the New York Times, because having suffered as a freelancer from the economic downturn, she’s been facing eviction. “This could happen to anybody,” she told the newspaper, and though asking for help “was a strange position to find myself in . . I didn’t feel ashamed.”
House kudos to Miles’ Kind of Blue. So what?
At age 50, Miles Davis’ album Kind of Blue has been officially and unanimously hailed by the US House of Representatives. Rep. John Conyers (D-Michigan) sponsored H.Res 894, which on Tuesday passed 409 to 0, recognizing the “unique contribution” of the 37-minutes of modal improvisation trumpeter Davis and his stellar sextet recorded on March 2 and April 22, 1959. The honor is richly deserved, and if you have to ask why, spend some quality time with the music. To learn more about it, I recommend Ashley Kahn’s well-researched book of “the making of Miles Davis’ masterpiece.”
That’s not jazz, Spaniard tells saxophonist
Larry Ochs’ Sax & Drumming Core may not be al gusto for everyone, but should Spain’s Civil Guard decide whether it plays “jazz”? At the Sigüenza Jazz Festival a disgruntled purist demanded his ticket money back claiming he was subjected to “contemporary music” rather than jazz fitting his definition; pistol-packing cops backed him up (which makes me wonder what they thought of last week’s concert by Digital Primitives). Read the Guardian account here.
Treasures of YouTube: Dolphy, flute; Mingus “Meditations”
Eric Dolphy solos beautifully then uses his bass clarinet for the ensemble line of bassist/composer/bandleader Charles Mingus “Meditations on Integration” in this 1964 clip, which warms my dank, chill afternoon in Brooklyn.
Jaki Byard on piano, and dapper Danny Richmond, drums.
Best beyond “jazz” CDs of 2009
My 10 top CDs of 2009 blow past conventions to enrich jazz, blues, new and unusual music. They’re chosen from almost 1000 I received for review — an abundance of fine releases since November 2008, the full year following Barack Obama’s election to president.
Maybe it’s coincidence that fresh thinking, spirited energy and practical creativity runs high at this moment in history — or maybe it’s that 2009’s challenges require musicians like everyone else to find new answers to the tough questions: how to find joy amid gloom, work to harmonize and stand independently, keep the beat and take time out, too. The following CDs (most also available as MP3 downloads), are pleasures from the past 12 months I recommend for their surprises and soulfulness. Listed in no particular order —
Far downtown weekend adventures
Far out improv, high concept contemporary composition, new jazz scholarship and “cut loose” music from Guadeloupe flood Lowest Manhattan (all the way to Staten Island) this weekend. The folks who bring us the Vision Festival stage 28 hours of multidisciplinary improvisation starting tonight (Friday) at 6 p.m. at Clemente Soso Velez Cultural Center; Mode Records throws itself a benefit marathon concert featuring Philip Glass, John Zorn and Robert Ashley, among many others on Saturday at Abrons Art Center; jazz scholars convene for The Louis Armstrong Symposium at College of Staten Island also Saturday starting at 9 a.m., keynote by Dan Morgenstern) and the Destination Guadeloupe Festival climaxes with Gwo-ka drumming, “gwanda jazz” and zouk at S.O.B.’s on Sunday (bands from Guadeloupe are also there and at Zinc Bar tonight and tomorrow).The possibilities show again the breadth and depth of music made and presented in NYC.
Trouble — or transition — at Jazz.com?
Stepping down from presiding over Jazz.com two years after its launch, editor, author and pianist Ted Gioia isn’t saying much about what’s up with the site that has become a major web resource and destination. Naturally, this leads to wondering what has become of the promise and potential of jazz on the web.
Wynton le Chevalier Marsalis
A survey in my latest City Arts column of the music of trumpeter-composer Wynton Marsalis, in the jazz spotlight for 25 years. Founder and artistic director of Jazz at Lincoln Center, educator, activist, humanitarian, winner of a Pulitzer and multiple Grammies, Wynton stands tallest in my book when he just plays jazz.
Performance night of beyond-jazz critics
Monday 11/16, NYC: writer-guitarist-conductor Greg Tate‘s Burnt Sugar plays the Blue Note, and the late journalist-reedsplayer Robert Palmer is celebrated by biographer-world musician John Kruth, historian-memoirist-social commentator-radio producer-singer-songwriter Ned Sublette, and the Master Musicians of Jajouka with at Le Poisson Rouge. Are the inmates running the asylum?
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Winners and their blues
Winners of this blog’s first Blues Lyric Contest are suitably troubled — and all get Wynton Marsalis and Willie Nelson Play the Music of Ray Charles DVDS to ease their weary minds. All have expressed regrets they can’t get to  Jazz at Lincoln Center concerts of Wynton and the Lincoln Center Jazz Orchestra celebrating for Mary Lou Williams’ centennial or  alto saxist Maceo Parker, so sadly those tix go wanting. But that’s the blues for ya. . .Â
Midnight (EST) deadline, blues contest entries
Prizes of Jazz at Lincoln Center tix for this weekend and dvds of Wynton Marsalis with Willie Nelson for the best blues lyrics or prose poem will be determined at 12:01 tonight (11/11/09). Several stunning (!?!) efforts have been received — via the comments box below — but I’m not publishing any of them until all the tries are in and the winners have been chosen. Is it hard to write a blues lyric? See my examples from yesterday, or search the web for classics, which are plentiful. Three to five choruses fitting a standard 12-bar blues form, or a bluesy prose poem of 100 to 150 words are what I want to see — alto sax soulman Maceo Parker playing in the elegant Allen Room, and Wynton leading the Lincoln Center Jazz Orchestra in music by Mary Lou Williams, with featured soloists Geri Allen and Geoff Keezer are first prizes; second and third are dvds of Wynton and Willie (with guest Norah Jones), autographed by Mr. Jazz at Lincoln Center himself.Â
Submit your blues now! Don’t delay and cry like this –Â
Blues lyrics: write to win
For tickets to Jazz at Lincoln Center this weekend or a dvd of Wynton Marsalis and Willie Nelson performing live, try writing a blues. How hard can it be?
“Minutes seem like hours, hours seem like days,
Seems my baby would stop her lowdown ways” — Muddy Waters, “Country Blues”
 “Woke up this morning, looked ’round for my shoes
You know I had those mean old walkin’ blues” — Robert Johnson, “Walkin’ Blues”Â
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“Whoa, oh tell me baby
Where did ya stay last night? An’ why don’t ya hear me cryin’?
Whoo hoo, whoo whoo,Â
Whoo who. . . ” — Howlin’ Wolf, “Smokestack Lightning”