• Home
  • About
    • Foot in Mouth
    • Apollinaire Scherr
    • Contact
  • AJBlogs
  • ArtsJournal

Foot in Mouth

Apollinaire Scherr talks about dance

Go: Tere O’Connor and company’s “Wrought Iron Fog” at Dance Theater Workshop

November 13, 2009 by Apollinaire Scherr Leave a Comment

Treat yourself, if you're so lucky: you only have till Saturday, and Wednesday, the house was packed. Some critics have been ambivalent--Gia Kourlas in the NY Times and Kathleen O'Connor at Danceviewtimes. I was enthralled, and set free for flashes of insight, from blast off to lights out. O'Connor is a brilliant choreographer, but his Mommy and Baby dances (2006 and 2004, respectively) … [Read more...]

Thursday November 5

November 5, 2009 by Apollinaire Scherr Leave a Comment

Horrendous Karole Armitage premiere; lovely Han Tang Yuefu drama … [Read more...]

Armitage toys with Africans; Han Tang Yuefu Music and Dance Ensemble brings ancient debauchery to life

November 5, 2009 by Apollinaire Scherr Leave a Comment

Karole Armitage is a choreographer who misses more than she hits, but even that bumpy track record didn't prepare me for Itutu, playing BAM for a mercifully short run this week. Here are the first few paragraphs of my Financial Times review, out tomorrow: If cultural appropriation didn't already have a bad name, Karole Armitage's Itutu (until Saturday) would give it one. That the choreographer … [Read more...]

Saturday October 31:

October 31, 2009 by Apollinaire Scherr Leave a Comment

A subdued Garth Fagan season at the Joyce this year … [Read more...]

A subdued Garth Fagan

October 31, 2009 by Apollinaire Scherr Leave a Comment

Mudan 175/39 by Garth Fagan. Photo by Paula Summit.I don't think this year's Joyce season is the best showing of Fagan's work. There's only one premiere--the lovely Mudan--but even that wouldn't be a problem if the rep didn't also fall on the minimalist end of the Fagan scale. Still, I admire the Rochester choreographer's aim and method enough to not much mind if one year is less revelatory than … [Read more...]

Monday October 26

October 26, 2009 by Apollinaire Scherr Leave a Comment

Spooky shows from two gay icons: Bill T. Jones and Joe Goode … [Read more...]

Spooky shows from Bill T. Jones and Joe Goode

October 25, 2009 by Apollinaire Scherr Leave a Comment

I asked my friend and Foot colleague Paul Parish whether I could paste some of his review last week of Bill T. Jones's and Joe Goode's latest shows--Jones's is the big Lincoln fete we New Yorkers will be getting some side dishes from later this month at the Joyce--and he said, yes, please. There's all sorts of observations Paul makes that have me starting up with excitement--the unusual way … [Read more...]

Friday October 23

October 22, 2009 by Apollinaire Scherr Leave a Comment

How much is originality worth? Apollinaire considers the case of Sidi Larbi Cherkaoui's Orbo Novo. … [Read more...]

If the movement is original but induces nausea, should a critic complain or celebrate?

October 22, 2009 by Apollinaire Scherr Leave a Comment

I didn't do either in my review for the Financial Times tomorrow of the popular European choreographer Sidi Larbi Cherkaoui's Orbo Novo. There were other things, for which I felt distinct dislike, such as the dance's confusion about its stance towards its material (a woman entering nirvana by suffering--if that's even the right way to put it-- a stroke). It's okay for the choreographer to be … [Read more...]

Saturday October 17

October 17, 2009 by Apollinaire Scherr Leave a Comment

Why the Balanchine Trust may have to play policeman … [Read more...]

« Previous Page
Next Page »

Apollinaire Scherr

is the New York-based dance critic for the Financial Times. She has written regularly for The New Yorker, The New York Times, and Newsday, as well as SF Weekly and the East Bay Express, in the Bay Area. She has contributed to... Read More…

Foot in Mouth

This blog's concern is the tricky business of recognizing dance's peculiar language and history … [Read More...]

Archives

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in