It's worth the trip, believe me. Founded and directed by former New York City Ballet star Edward Villella, the troupe's fluency--its capacity to energize the whole stage--is an essential quality of Balanchine, their mainstay, that sometimes gets tamped down. MCB will be performing three of his works at Tilles Center on Long Island. It'll also be interesting to see what they do with Tharp's "In the … [Read more...]
GO: The Kirov does Forsythe (with UPDATE)
Forsythe's style looks different here than on his own company--not so in your face but also implacable, whiplash yet static--and maybe that's why I liked it so much. The Kirov dancers are exceptional at switching styles, probably because they've been trained so solidly in a single school that they know what a style is. Still, they bring to Forsythe a softness and slipperiness--as if we've entered … [Read more...]
GO: Nrityagram Dance Ensemble
...in case you have yet to catch this phenomenal odissi ensemble on their U.S. tour, their performance at the Wang Theater of the Stony Brook University campus in Long Island on Sunday is your last chance. In a Newsday preview from this Sunday's paper, I discuss how the all-female ensemble has "extended an ancient tradition without stretching it thin." No mean feat. Here's the story: BY … [Read more...]
Foreign report: My friend Andy on the Kirov’s Fokine program
I'm under the gun, so won't be able to report on the Kirov's fantastic Fokine program. But my friend Andy Podell, a playwright who loves the ballet, went this afternoon, and sent me this wonderful response when I asked via email how it was. I've put my interjections in brackets and italics. I saw a somewhat different cast earlier in the week. Here's Andy: It was great. Very strange audience … [Read more...]
Olesia Novikova: check her out
...in the Kirov's three-week season at City Center. As top shade in "La Bayadere" last night (led by doll-like Alina Somova), she moved with the wind at her back, like a prisoner of Dante's Inferno, the weight of memory and hope flying away from her. Until she appeared, most everything had been so studied. Tonight, she leads in a tidbit from "Raymonda" (what's with these tidbits? Would have much … [Read more...]
GO: Emanuel Gat does Mozart
There are dances I can't even fathom disliking. But I can understand not liking Israeli choreographer Emanuel Gat's thoroughly down to earth approach to Mozart's Requiem, the composer's final appeal to God and death. The disconnect between music and steps--pedestrian gestures repeated like musical motifs and Janet Jackson steps so tight they're rubbing against each other the way a cat rubs against … [Read more...]
GO: Puppets, here, there, and on Long Island
...Specifically, Basil Twist's extraordinary "Petrushka" at Lincoln Center next week through April 13 and the Hudson Vagabond Puppets' very sweet Beatrix Potter ballets at Tilles Center in Long Island this Sunday. Here's my Newsday preview: "It's amazing that people relate to a bunch of wood and cloth," marvels puppeteer extraordinaire Basil Twist. "I think as we become more computerized, we … [Read more...]
Macaulay Watch: The chief Times dance critic is getting better (REVISED)
...and not just because he agrees with ME about "King Arthur," though I have to say it's not at all fun writing a negative review of work you generally admire, so I am grateful for the company. Macaulay has settled down, dug in and begun shedding his mannerisms (the self-celebration as moony, sensitive poet, for example, and the sarcasm). He can describe what he's seeing and why it matters in … [Read more...]
Macaulay Watch: The chief Times dance critic is getting better (REVISED Monday)
...and not just because he agrees with ME about "King Arthur," though I have to say it's not at all fun writing a negative review of work you generally admire, so I am grateful for the company. Macaulay has settled down, dug in and begun shedding his mannerisms (the self-celebration as moony, sensitive poet, for example, and the sarcasm). He can describe what he's seeing and why it matters in … [Read more...]
GO? St. Petersburg Ballet Theatre’s “Carmen”
The preview below involved one of those maddening situations where no video of the ballet existed--and I'd never seen the company. I read everything I could find on the troupe (on Nexis, for example, and the ballet boards)--but there wasn't a single review, even, of this particular ballet, which could either be marvelous or a bust. I hate being reduced to a reporter--just reporting what the … [Read more...]