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Lawrence Dillon: Connecting the Dots

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Archives for February 2017

What I said

February 20, 2017 by Lawrence Dillon

A few weeks ago, I wrote about the importance of getting young composers opportunities to hear their music played, and how some schools put more emphasis on showcasing the work of the composition teachers.  Obviously, students should hear the music their professors write, but not at the expense of hearing their own work. A few days later I received a flyer from a prominent school emphasizing … [Read more...]

Second Inversion

February 13, 2017 by Lawrence Dillon

The most stable chord, traditional teaching tells us, is the root position triad – the one with the fundamental on the bottom. A more elusive arrangement puts the third of the chord in the bass – nice for subverting the obvious hierarchy of the root. That leaves the 64 chord, meaning a triad with the fifth in the bass.  Traditional teaching tells us this chord requires special treatment.  It … [Read more...]

Political Dispatches

February 5, 2017 by Lawrence Dillon

Caught the Southeastern Center for Contemporary Art (SECCA) exhibition Dispatches this weekend.  Dispatches was mounted just before the 2016 election; in its own words it “includes a survey of works from 2010 - present and launches a series of commissions, or "dispatches" on current events and the critical issues of our time.”  Works exploring environmentalism, the war in Syria and the 2016 … [Read more...]

Lawrence Dillon

Composer in Residence at the University of North Carolina School of the Arts, Lawrence Dillon creates works that connect past and present in attractive and unexpected ways. [Read More]

Infinite Curves

There are no two points so distant from one another that they cannot be connected by a single straight line -- and an infinite number of curves. In a musical composition, there are always many ways to get from Point A to Point B, regardless of how little A and B seem to have in common. Similarly, … [Read More...]

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