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Aesthetic Grounds

Public Art, Public Space

Supertouch and Jamie O’Shea

October 17, 2007 by Glenn Weiss

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Except for a few months here and there, I was never noted for my hipness. Or even really knowing what was “in” at any moment in time. With that caveat, I just discovered Jamie O’Shea’s blog – Supertouch. O’Shea was the editor-in-chief of Juxtapoz magazine from San Francisco for ten years. Now he is editing a start-up lifestyle publication called Spread Artculture. (Even though the meaning is not the same, I think I will use “artculture” and abandon “artworld”.)
Supertouch – unlike most blogs – has real clarity of image selection. O’Shea has a great eye that is guided by a sharp mind. Select art tags and just watch. Be sure to click on the “more” as he always includes a full range of pictures to TOTALLY explain the situation.
O’Shea’s selection is today’s “high” culture. He finds a crisp version of the street that includes graffiti, cartoons, installations, sci-fi, performances, tattoos and humans. Music and zines are always conceptually or actually nearby. He prioritizes New York, California, London and Tokyo. The cool trek.
He has a true visual point of view. Not a style, (although sci-fi and skulls are more than appreciated) but rather a knowledge that he has found a creator that he likes. And O’Shea’s creators communicate visually his or her method of living in world.
O’Shea does sense some similar trends that I agree with – bling as a broad cultural influence, mixing up religion and culture and the crossover in both directions between graphic artists and public artists.
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Invader’s Space Invaders
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Kenji Yanobe in Tokyo
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Aaron Young mixes Hells Angels and Jackson Pollack
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Panda in the Brian Griffiths’ “Life is a Laugh” in the London Underground


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Glenn Weiss – Writer, Artist, Consultant

Glenn Weiss is the writer of Aesthetic Grounds. He lives in Delray Beach, Florida, and formerly in Seattle and NYC.

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