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Aesthetic Grounds

Public Art, Public Space

Return of the Dome and Bubble Pavilion

May 12, 2014 by Glenn Weiss

The dome structure has a mundane and glorious history from the African thatched house to the soaring dome of dome of Florence.  In the 1960s and 70s thorough Buckminster Fuller and Hippies, the dome returned to world fairs and rural, self-built homes.  Today the digital design software combined with computer controlled routers or jet cutters have brought a resurgence in small structures that range from the pure symmetrical circle or ellipse to the more organic bubbles.  The key attribute of the experiments is the seamless flow from wall to roof in the same materials and structural system.  Instead of the Fuller’s triangles, the six sided honeycomb is preferred.

Public Living Room by Mass-Studies, KOREA

Public Living Room by Mass-Studies, KOREA

Mark Hammari at Burning Man, 2011

Mark Hammari at Burning Man, 2011

Plywood-Dome-Roskilde-Festival-2012

Plywood-Dome-Roskilde-Festival-2012

Kristof Crolla and Adam Fingrut Hong Kong 2012
Plywood-Dome-Roskilde-Festival-2012
Architect Shuhei ENDO

Mark Hammari at Burning Man, 2011

Min‐Chieh-Chen, Dominik-Zausinger and Michele-Leidi
Catalyst-Hexshell

sol-dome by loop-ph, 2013
sol-dome by loop-ph, 2013
Public Living Room by Mass-Studies, KOREA

Public Living Room by Mass-Studies, KOREA
Pavilion by shift, Keykjavik
Saarland University Students 2012

Ring Dome by Mass Studies, 2007, NYC

Metal pillow dome
Metal pillow dome

ICD-ITKE 2011 Stuttgart
ICD-ITKE 2011 Stuttgart

 

Filed Under: main Tagged With: architecture, bubble, dome, pavilion

Glenn Weiss – Writer, Artist, Consultant

Glenn Weiss is the writer of Aesthetic Grounds. He lives in Delray Beach, Florida, and formerly in Seattle and NYC.

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