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Aesthetic Grounds

Public Art, Public Space

Kengo Kuma and Associates, Japan

February 20, 2014 by Glenn Weiss

kengo kuma and assoc.

kengo kuma and assoc.

In Japan there is an ancient craft passed down between woodworkers and artisans known as jigoku-gumi. Literally, “interlocking hell,” the complex technique can be observed, on a smaller scale, in the wooden frames of shoji screens. The fear-inducing name seems to have been derived not only from the complexity and difficulty of the craft, but also because it is near-impossible to disassemble once complete. In fact, jigoku-gumi was used to create the 635-year old shoji screens in Kyoto’s Toji Mieido temple (renovated in 1380), as well as the 815-year old fusuma sliding doors in Wakayama’s Kongōbu-ji temple. In other words, jigoku-gumi is not meant to be taken halfheartedly.

But reviving the technique, and taking it to awe-inspiring heights, is the architect Kengo Kuma, who just completed SunnyHills in the posh neighborhood of Minami-Aoyama, Tokyo. Nestled amongst designer boutiques like Herzog & De Meuron’s Prada building and the Nezu Museum, designed by Kuma himself, the bold structure of entwined wood feels right at home.

kengo kuma and assoc.

kengo kuma and assoc.

kengo kuma and assoc.

kengo kuma and assoc.

kengo kuma and assoc.

kengo kuma and assoc.

 

http://www.spoon-tamago.com/2014/02/19/the-hellish-art-of-japanese-interlocking-wooden-architecture-revived-at-sunnyhills-minami-aoyama/

 

Filed Under: Uncategorized

Glenn Weiss – Writer, Artist, Consultant

Glenn Weiss is the writer of Aesthetic Grounds. He lives in Delray Beach, Florida, and formerly in Seattle and NYC.

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