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About Last Night

Terry Teachout on the arts in New York City

TT: Where credit is due

February 5, 2004 by Terry Teachout

A reader inquired about “Alas, not by me,” the running head I use to link to choice snippets by other people (usually bloggers) that I wish I’d written. It’s a reference to a celebrated anecdote about Johannes Brahms. Back in the nineteenth century, autograph seekers sometimes invited their quarry to inscribe fans–the kind you hold in your hand. Brahms, the story goes, was invited by the wife (or possibly the daughter) of Johann Strauss the Younger to sign a fan, and responded by sketching a musical staff, writing out the first couple of bars of “On the Beautiful Blue Danube,” and signing it “Alas, not by–Johannes Brahms.”

This is such a wonderful story that I fear it may not be true, especially since it could have been: Brahms was a witty gent capable of just such a spontaneous gesture, and his friendship with and admiration for Strauss were anything but apocryphal. (He told Hans von Bülow, for example, that Strauss was “one of the few colleagues I can hold in limitless respect.”) I just checked, and two of the most reliable Brahms books on my shelves make no reference to the anecdote, so I plan to check no further. When the legend becomes true, print the legend (alas, not by me).

Incidentally, the word “alas” is one of my too-familiar, over-relied-upon fingerprints, along with “not surprisingly,” “needless to say,” “much less,” “least of all,” “I suspect,” and (sigh) the use of hyphenated modifiers. Not surprisingly, I suspect that most far-too-prolific writers have, alas, a whole stack of these tics. Used in the strictest moderation, they’re part of what turns a voice into a full-fledged style, but I’m not always careful about using them moderately, least of all on this blog, which is frequently written on the fly. When I was editing The Skeptic: A Life of H. L. Mencken, I determined to trim away all but one or two occurrences of each of my personal clichés. Don’t hold me to it, though, and please don’t keep score when you’re reading A Terry Teachout Reader. I guarantee you’ll find them there, in profusion.

TT: Not taken

February 5, 2004 by Terry Teachout

I didn’t expect my throwaway item on Woody Allen to have caused quite so much of a hullabaloo
in
cyberspace. Around this town, Allen is generally thought to be soooo over. Go figure.


In all fairness, let me add this footnote: a few days after Jack Paar’s death last week, one of our local PBS affiliates reran a Paar clip show that included what I gather was Allen’s network TV debut as a standup comedian. I can just barely remember his standup days, and since then I hadn’t seen or heard any of his work from that period. I was struck by how fresh and engaging his style was–free, fantastic, not at all punchline-oriented. Judging by that clip, one could easily imagine him having evolved into an on-stage monologist

OGIC: From the cheap seats

February 5, 2004 by Terry Teachout

The ‘Fesser, whose many felicitous observations and coinages are on regular offer at Pullquote*, has an expression he reserves for noting especially entertaining outbreaks of intellectual pugilism. He borrowed it from hockey. In homage to the blood-thirstiest fans in the first few rows who make it their business to egg on any actual or potential fisticuffs, he’ll e-mail me when, say, Dale Peck and [insert novelist here] exchange blows to say he’s “Pounding on the Plexiglass/Spilling My Popcorn.” Of late this has been abbreviated to a simple “PTP/SMP.”


Recent history suggests two PTP/SMP moments are possibly imminent. One may break out when The Elegant Variation gets a load of Michael Blowhard’s counter-common-wisdom on the NYTBR shuffle, the other when Emma at The Fold Drop reads Caitlin Flanagan’s cover story on feminists and nannies in the new Atlantic Monthly. (This issue is not yet on-line, and I have to say that as a subscriber, I rather appreciate the little lag time between when I get my hard copy and when the content goes up on the internet. By the time my New Yorker reaches me out here in the hinterlands every week, it’s already half-useless.)


Just so you don’t go to the snack bar at the wrong time.


*For a sterling example, see here.

TT: Uncommon ground

February 5, 2004 by Terry Teachout

Courtesy of The Corner, here’s the most interesting chart I’ve seen in ages, a network map that shows the near-complete lack of overlap between the book-buying patterns of people in Red and Blue America (i.e., the states that voted for Bush and Gore in 2000). No matter which side of the great divide you inhabit, you’ll find it worth a look.

OGIC: Much ado about X

February 4, 2004 by Terry Teachout

When everyone’s buzzing about blogger anonymity, it becomes an anonymous blogger to weigh in (thanks for the shout-out, Old Hag). Anonymity’s detractors make their cases this week at Gothamist, which declares in an impressively thoroughgoing spirit of no-fun,

Gothamist does not approve of anonymous blogging: We believe all bloggers should stand behind their posts with their real names. If you can’t do that, you shouldn’t be blogging.

And at Salon, which runs a piece that’s conveniently excerpted here by Lizzie so that you can bypass the premium-access rigmarole:

It takes a certain courage to shoot half-cocked into the media landscape like that. Or does it? [Atrios, TMFTML] and other bloggers have made names for themselves by having no names at all–and by using the safety and security of their secret identities to spread gossip, make accusations and levy the most vicious of insults with impunity.

My impulse is to respond to these charges as a reader first and blogger second. As a reader, my response is much like Maud’s. I like the anonymously written blogs I read, and in many cases the anonymity of the blogger contributes to the effect. I appreciate the sheer variety of voices, styles, and approaches of the blogs I visit every day, and for those bloggers who are anonymous to identify themselves would be a step in the direction of flattening things out–perish the thought.


Many of the commenters at Gothamist rush valiantly to the defense of anonymous bloggers by pointing out the perils of blogging at work and the urgency of keeping oneself employed, in the current economy especially. All true enough. But this seems to me a secondary defense whose mobilization grants the basic premise that anonymous blogging would be wrong under ideal circumstances. As an addicted blog reader with several favorites who choose anonymity, I can’t, won’t, and don’t grant that.

TT: Sound bite

February 4, 2004 by Terry Teachout

To hear the voice of G.K. Chesterton, go here. (Scroll down as necessary. The clip is available in RealAudio, WAV, and QuickTime files.)

TT: Almanac

February 4, 2004 by Terry Teachout

“Anyway, I’ve never run with the pack, composing according to fashion; I’ve always been a lone wolf, composing according to need. The Red Queen said you’ve got to run fast to stay in one place. I stayed in one place. Now it’s clear I’ve run fast.”


Ned Rorem, The Nantucket Diary

TT: Elected silence

February 4, 2004 by Terry Teachout

Nothing from me today. I’ve got to write my Wall Street Journal drama column in the morning, followed by afternoon appointments and a nightclub after dinner. Maybe I’ll do a little nickle-and-diming, but nothing more. Really. No matter who posts my mugshot. Or speculates about…well, you know.


Take it away, OGIC.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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