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About Last Night

Terry Teachout on the arts in New York City

CAAF: Morning coffee

March 6, 2008 by cfrye

I’m still processing Brett Favre’s retirement*, which if you’re from Wisconsin is a little like experiencing a death in the family — you’re sad he’s gone but you feel joy in remembering your time together, etc., etc. — so in honor of the moment a couple literary items about death, dying, and staying forever young:
• From a review of Julian Barnes’s new memoir/treatise about death, Nothing to be Frightened Of: “The youngest in his family, nothing if not competitive, Julian who longed as a child to grow old enough to crack the whip himself has finally achieved a lonely and illusory autonomy: ‘Far from having a whip to crack, I am the very tip of the whip myself … what is cracking me is a long and inevitable plait of genetic material which can’t be shrugged or fought off.'”
• Vampire books never grow old:

And Columbia University comparative literature professor Jenny Davidson, 36, who is the author of a forthcoming paranormal YA book, The Explosionist, argued that vampire books going back to Dracula, Bram Stoker’s 1897 novel, often represent anxiety about modernity. “The Stoker novel really is a book about technology and modernity,” she told me. “It really is a book about telegraphs and letter-writing and wax cylinders that you might record madmen speaking onto. And that intersects with the idea that the vampire isn’t modern, the vampire is from the deep past. … The vampire seems to be a place for that intersection–very modern, but very much from the romantic past.”

* Earlier this week I was emailing with some friends from high school about the retirement. My friend K., who has two young sons, wrote, “The boys will be crushed. Sometimes when I say,’Hi Erik!’ first thing in the morning or getting in to the car with him, he’ll say, ‘I’m not Erik, I’m the children’s Brett Favre!'” For myself, I can say I know the exact moment that Brett decided to let go. It was during the playoff game against the Giants. The temperature at Lambeau was, you may remember, something like -200 degrees with wind chill, so that every time a player fell on the frozen field you thought their bones would just … shatter from the impact. Somewhere during that grueling overtime the camera panned in on Favre and I distinctly saw him think, “I am too old for this shit” And he threw an interception and went off the field.**
** Sorry to go on like this. I know this is an arts blog. But as long as we’re here celebrating Packer greatness, let’s also take a moment to remember Reggie White, who passed away a few years ago and who I don’t think gets talked about and remembered nearly as much as he should. Reggie, I remember!

TT: So you want to see a show?

March 6, 2008 by Terry Teachout

Here’s my list of recommended Broadway, off-Broadway, and out-of-town shows, updated weekly. In all cases, I gave these shows favorable reviews in The Wall Street Journal when they opened. For more information, click on the title.


Warning: Broadway shows marked with an asterisk were sold out, or nearly so, last week.


BROADWAY:

• August: Osage County (drama, R, adult subject matter, closes Apr. 20 and reopens Apr. 29 at the Music Box Theatre for an open-ended run, reviewed here)

• Avenue Q (musical, R, adult subject matter and one show-stopping scene of puppet-on-puppet sex, reviewed here)

• A Chorus Line (musical, PG-13/R, adult subject matter, reviewed here)

• Grease * (musical, PG-13, some sexual content, reviewed here)

• The Homecoming (drama, R, adult subject matter, closes Apr. 13, reviewed here)

• The Little Mermaid * (musical, G, entirely suitable for children, reviewed here)

• November (comedy, PG-13, profusely spattered with obscene language, reviewed here)

PASSING%20STRANGE.jpg• Passing Strange (musical, PG-13, adult subject matter, reviewed here)

• The Seafarer (drama, PG-13, adult subject matter, closes Mar. 30, reviewed here)

• Sunday in the Park with George * (musical, PG-13, extended through June 16, reviewed here)

OFF BROADWAY:

• Adding Machine (musical, PG-13, too musically demanding for youngsters, reviewed here)

IN LOS ANGELES:

• Victory (drama, PG-13, adult subject matter, closes Mar. 23, reviewed here)

ON TOUR:

• Moby-Dick–Rehearsed (drama, G, not suitable for children, touring the U.S. through May 17, reviewed here)

CLOSING SOON ON BROADWAY:

• Alfred Hitchcock’s The 39 Steps * (comedy, G, suitable for bright children, closes Mar. 23, reviewed here)

• Come Back, Little Sheba (drama, PG-13, adult subject matter, closes Mar. 16, reviewed here)

CLOSING SUNDAY IN SAN FRANCISCO:

• Blood Knot (drama, PG-13, reviewed here)

CLOSING SUNDAY ON BROADWAY:

• Is He Dead? (farce, G, reasonably family-friendly, reviewed here)

• Rock ‘n’ Roll (drama, PG-13, way too complicated for kids, reviewed here)

TT: Almanac

March 6, 2008 by Terry Teachout

“Certainly for us of the modern world, with its conflicting claims, its entangled interests, distracted by so many sorrows, so many preoccupations, so bewildering an experience, the problem of unity with ourselves in blitheness and repose, is far harder than it was for the Greek within the simple terms of antique life. Yet, not less than ever, the intellect demands completeness, centrality.”
Walter Pater, Studies in the History of the Renaissance

TT: Another nutshell

March 5, 2008 by Terry Teachout

I just got back from a workshop performance of part of The Letter, the Somerset Maugham opera-in-progress that I’m writing with Paul Moravec. We performed it for a group of hard-nosed opera and theater professionals. I’m exhausted after five straight days of six-and-seven-hour rehearsals, and I have to go see Cat on a Hot Tin Roof tonight, so I’ll keep it short: it went really, really, really well.
More after I get some sleep.

TT: In a nutshell, it was fun

March 5, 2008 by Terry Teachout

Ron Rosenbaum is one of the contributors to a new anthology called Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure. “I think you can figure out the gimmick easily enough from the title,” he wrote on his blog a couple of weeks ago. “But it wasn’t easy! Try coming up with six words to sum up the rich pageant of your life, the ups and downs, the loves and losses.” Here’s how his attempt went: “Explained Hitler, Shakespeare. Couldn’t explain self.” Not bad.
Here’s mine: “Small town, big city. Damned lucky.”
Over to you, OGIC and CAAF.

TT: Almanac

March 5, 2008 by Terry Teachout

“All parties attempt to represent important things that have developed outside themselves as unimportant, and where they fail in this they assail those things all the more bitterly the more admirable they are.”
Friedrich Nietzsche, Mixed Opinions and Maxims

TT: All fixed up

March 4, 2008 by Terry Teachout

Apologies to those of you who recently tried to reach this blog via its alternate URL, www.terryteachout.com. Due to circumstances temporarily beyond our control, that address didn’t work yesterday. Now it does. Sorry about that.
In other news, the workshop rehearsals for The Letter are going smashingly well. More when they’re over, but here’s the bottom line: I think we’ve got a hot one here. Watch this space for details….

OGIC: Fortune gets around

March 4, 2008 by ldemanski

Via Boing Boing via Gaper’s Block via Coudal Partners comes news of a fortune cookie fortune that inspired someone to create a web page deeming it “the best fortune cookie ever.” That’s neat, but do they all know the very same fortune also inspired the lovely and talented Erin McKeown to write a terrific song, beloved by me and Terry? (See track #3, “Life on the Moon.”) Maybe someday we can live on the moon,” the song goes; but “because we can doesn’t mean we have to.” What’s next, the novel?

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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