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Terry Teachout on the arts in New York City

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The end of the beginning (updated)

June 14, 2019 by Terry Teachout

Those of you who follow me on Twitter or Facebook will know that Mrs. T has been in the University of Connecticut Health Center’s John Dempsey Hospital since Saturday, when she was stricken with a major respiratory crisis that forced us to call an ambulance. (This, in case you happened to notice, is the reason why I don’t have a drama column in today’s Wall Street Journal: I’ve been otherwise occupied.) We subsequently found out that she was suffering from sepsis, a life-threatening infection that had weakened her already-fragile body and left her prey to all kinds of trouble.

The truth is that I nearly lost Mrs. T twice over the weekend, on Saturday morning and late that same night. But she’s the toughest of cookies, and her wonderful doctors and nurses were unanimously determined to keep her out of the cold clutches of the Distinguished Thing. Come Thursday she was, to everyone’s astonishment but mine, on the mend—very, very slowly.

Regular readers of this blog will doubtless remember that Mrs. T has suffered for the past decade and a half from a rare and devastating disease called pulmonary hypertension (known to those who have it and those who love them as “PH”) that can only be cured by a double lung transplant. It’s been pretty obvious since January that she was entering the end stage of her long struggle with PH, and that the time for a transplant was drawing near. As her health continued to deteriorate, she was moved up the organ allocation list in May and told that at long last, her “score” was high enough for her to expect to start receiving donor-organ offers.

Mrs. T’s battle with sepsis has been horrifically debilitating, and we expect that it will lead to her being moved still further up the allocation list. For this reason, the doctors at UConn conferred with her transplant team in New York and decided last night to transfer her to New York-Presbyterian, the hospital not far from our apartment in upper Manhattan where she will ultimately be transplanted. She’ll be taken there by ambulance later today, with me in hot pursuit, and will remain there as we await the news that a pair of donor lungs has finally become available.

This is not, alas, what Mrs. T and I refer to as “the Big Call,” the middle-of-the-night it’s-showtime-folks phone call that summons a transplant candidate to the operating table. Would that it were! It is, rather, a precaution, albeit one of high consequence. From now until the Big Call comes, Mrs. T will stay at New York-Presbyterian, where the doctors will treat her for all that ails her, simultaneously watching closely for the sudden deterioration of the right ventricle of her heart that is what all PH patients fear most. What it does mean, though, that she is now a giant step closer to the moment for which we both long ardently.

All this puts me in mind of the soul-stirring words of a great man who was never more hopeful than at moments of supreme trial:

Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.

So, too, do Mrs. T and I hope. Please hope with us.

UPDATE: Mrs. T was transferred from UConn to New York-Presbyterian very late last night—by helicopter. Don’t jump to conclusions, though! This wasn’t an emergency airlift: it seems there was an ambulance-related snafu, and switching her to a helicopter was, incredible as it may sound, the only way to resolve it.

The good news is that Mrs. T had never flown in a helicopter before and claimed to be excited by the prospect, which under the circumstances strikes me as quite amazingly game. I left UConn by car hours before she took off and arrived in upper Manhattan hours before she arrived. (Not surprisingly, it was a hurry-up-and-wait kind of day.) She sent me an e-mail this morning in which she claimed to be feeling chipper and asking me to bring her a takeout menu from the neighborhood diner.

I’ll head down to the hospital, which is thirteen blocks from our apartment in upper Manhattan, in a couple of hours, there to see Mrs. T and talk to her doctors. Assuming that all is well there, my next stop will be a matinée of Kate Hamill’s Little Women, my first show since the crisis began a week ago today. Crises come and crises go, but theater goes on forever.

I’ll keep you posted.

*  *  *

A montage of scenes from Bob Fosse’s All That Jazz, starring Roy Scheider:

The climactic scene from Darkest Hour, directed by Joe Wright and starring Gary Oldman as Winston Churchill:

Replay: Somerset Maugham’s “Sanatorium”

June 14, 2019 by Terry Teachout

“Sanatorium,” the last section of Trio, a 1950 anthology film based on the short stories of W. Somerset Maugham. This section was adapted from Maugham’s story by R.C. Sherriff, directed by Harold French, and stars Jean Simmons, Michael Rennie, and Roland Culver as Ashenden, Maugham’s fictional ego. Maugham himself introduces the film:

(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)

Almanac: Somerset Maugham on suffering

June 14, 2019 by Terry Teachout

“There are people who say that suffering ennobles. It is not true. As a general rule it makes man petty, querulous and selfish; but here in this sanatorium there was not much suffering. In certain stages of tuberculosis the slight fever that accompanies it excites rather than depresses, so that the patient feels alert and, upborne by hope, faces the future blithely; but for all that the idea of death haunts the subconscious. It is a sardonic theme song that runs through a sprightly operetta.”

W. Somerset Maugham, “Sanatorium”

Almanac: Roger Ebert on academic prose

June 13, 2019 by Terry Teachout

“I was instructed long ago by a wise editor, ‘If you understand something you can explain it so that almost anyone can understand it. If you don’t, you won’t be able to understand your own explanation.’ That is why 90% of academic film theory is bullshit. Jargon is the last refuge of the scoundrel.”

Rogert Ebert, “O Synechdoche, My Synechdoche!” (Roger Ebert’s Journal, November 10, 2008)

Snapshot: James Stewart in “Winning Your Wings”

June 12, 2019 by Terry Teachout

Winning Your Wings, a 1942 recruitment film directed by John Huston and starring James Stewart, who was then a second lieutenant in the U.S. Army Air Forces and later flew as a bomber pilot and squadron commander in Europe:

(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)

Almanac: Lillian Hellman on a problem with success

June 12, 2019 by Terry Teachout

“I don’t think many writers like best their best-known piece of work, particularly when it was written a long time ago.”

Lillian Hellman (interviewed by Anne Hollander and John Marquand), “The Art of Theater No. 1,” Paris Review, Winter/Spring 1965

Lookback: a tribute to my mother on her eightieth birthday

June 11, 2019 by Terry Teachout

From 2009:

My mother has given me countless other gifts through the years, starting with the gift of a sense of humor. I was, she says, an earnest little boy who was disinclined to laugh at much of anything, and she worked overtime to teach me how to smile at the myriad absurdities of the world, a lesson that I like to think I learned well. I’m returning the favor half a lifetime later: I call Mom from wherever I am most nights, and every time I do so, I always do my best to make her laugh, usually with success….

Read the whole thing here.

Almanac: Kingsley Amis on emotional responses to extreme stress

June 11, 2019 by Terry Teachout

“She stepped forward, kissed me and laid her head against my shoulder, leaning prudently forward to keep the rest of herself out of contact with the rest of me. Both of us sighed deeply. I felt as if I had just sat through a complete performance of La Traviata compressed into one and a half minutes.”

Kingsley Amis, Girl, 20

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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