Pentangle performs “Willy O’ Winsbury” on Set of Six. This episode was originally telecast by ITV on June 27, 1972:
(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)
Terry Teachout on the arts in New York City
Pentangle performs “Willy O’ Winsbury” on Set of Six. This episode was originally telecast by ITV on June 27, 1972:
(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)
“Melodrama is a heightened theatricality that makes the implausible plausible. By going further, it seems more real.”
Sidney Lumet, Making Movies
* * *
“Cymbeline” has never been one of Shakespeare’s popular plays, and it’s easy to see why. While its underlying subject matter is deadly serious, Shakespeare makes use of his full repertoire of plausibility-defying coincidences to tell a dark tale of jealousy and redemption, to the point where large chunks of “Cymbeline” can give the impression of resembling a comedy at least as much as a tragedy. Yet the awkwardness that arises from these incongruities seems to inspire actors and directors to give of their very best. I’ve reviewed three productions in the past 12 years—at Lincoln Center in 2007, the Hudson Valley Shakespeare Festival in 2008 and Shakespeare in the Park in 2015—and all of them were noteworthy. Now Hudson Valley is giving “Cymbeline” another go, this time in a version staged by Davis McCallum, the company’s artistic director since 2015, and once again the miracle has come to pass: Mr. McCallum and his youthful cast have given us a “Cymbeline” so clear and confident that you’ll wonder why it doesn’t get done as often as “A Midsummer Night’s Dream” or “The Merry Wives of Windsor.”…
* * *
Read the whole thing here.The trailer for Cymbeline:
Thomas Mann talks about antisemitism on the BBC in 1942. This is one of the few surviving recordings of Mann speaking in English:
(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)
Do good by stealth, and blush to find it fame.
Alexander Pope, “Epilogue to the Satires”
Rip Torn and Tuesday Weld co-star in “A Case Study of Two Savages,” an episode of Naked City written by Frank Pierson, directed by William A. Graham, and originally telecast by ABC on February 7, 1962:
(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)
“The mode in which the inevitable comes to pass is through effort.”
Oliver Wendell Holmes, Jr., “Ideals and Doubts”
After a seemingly endless series of skirmishes with Murphy’s Law, Mrs. T was finally bundled into an ambulance on Tuesday night and shipped from the University of Connecticut Health Center to New York-Presbyterian, the upper Manhattan hospital where she will ultimately receive a double lung transplant.
I beat her to New York by about twenty minutes, unloaded the one-way rental car (thank you, Hertz) that I used to drive from point A to point B, and fell gratefully into bed. It is, I suppose, possible to be more tired than I was, but I don’t see how, though several more hours went by before I finally grew sleepy enough to shut down my MacBook and put out the light, muttering a grumpy string of variations on “Tomorrow is another day!” as I did so.
So…now what? Quite a few of my readers seem to have picked up the mistaken notion that Mrs. T was rushed back to New York after getting the Big Call, and that she’ll be going under the knife any minute now. Would that it were so! She is, to be sure, “ripe” for transplant, as her doctors put it, but to date Mrs. T has yet to receive an organ offer. Instead, she was sent back to New York as a precaution—albeit an urgent one.
What happens next depends on when—and if—a pair of suitable lungs becomes available. As I’ve previously written in this space:
Would that there were enough donor lungs to go around! But there aren’t, which is the reason for the organ allocation list, which divvys up donor organs in the United States according to a complex formula that weighs the comparative needs of their potential recipients. For the past month or so, Mrs. T’s allocation “score” has been hovering above 50 (out of 100). This means she’s sick enough to start receiving organ offers as soon as a suitable pair of lungs becomes available—so long as it isn’t equally suitable to someone who outscores her.
Our hope is that the events of the past week will increase her score significantly. We’ll learn more about that in the next couple of days. In the meantime…we wait.
For now, Mrs. T will be waiting for the Big Call in New York-Presbyterian’s ICU. Should her condition stabilize sufficiently to send her back home to our New York apartment, which is thirteen blocks north of the hospital, she’ll wait there. Either way, she isn’t going anywhere else. Mrs. T is now extremely frail and needs an abundance of loving care, which I’m doing all I can to supply. No matter what happens, though, we won’t be returning to Connecticut any time soon. Barring some wholly unforeseen development, we’re here for the duration—and time appears to be running out, slowly but surely.
No visitors just yet, please: we’ll let you know when Mrs. T feels like company again. Your best wishes are enough for the moment. Believe me, they matter—a lot. And as usual, allow me to repeat my familiar plea: if you haven’t signed up to be an organ donor, please do so now, and encourage your friends to do likewise. That could matter even more.
* * *
“The others wait…and wait…and wait…and wait.” The opening scene of Casablanca:
M | T | W | T | F | S | S |
---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | ||
6 | 7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | 18 | 19 |
20 | 21 | 22 | 23 | 24 | 25 | 26 |
27 | 28 | 29 | 30 | 31 |
An ArtsJournal Blog