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About Last Night

Terry Teachout on the arts in New York City

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Almanac: Artie Shaw on the meaning of life

August 23, 2019 by Terry Teachout

“I think we are to God, if there is such a thing, like a microscopic cell in the left toenail of Garry Kasparov in the middle of a chess match. That cell has as much awareness of what Kasparov’s doing as we do of God’s activities. We like to presume we know about the universe, but we don’t know what we’re talking about. We have finite minds, and we’re dealing with something called infinity. The most one can hope for is to live a good life and try to leave things a little better than he found them.”

Artie Shaw (quoted in Gene Lees, “Artie Shaw: The Anchorite”)

Almanac: Ronald Knox on ambivalence

August 22, 2019 by Terry Teachout

“I’ve now reached the stage of being in two minds about whether one ought to be in two minds about things or not; and an infinite regress beckons.”

Ronald Knox, letter to an unnamed priest, July 1949 (quoted in Evelyn Waugh, The Life of the Right Reverend Ronald Knox)

P.P.C.

August 21, 2019 by Terry Teachout

I forgot to mention it on Monday, but I just started a two-week holiday from my duties as drama critic of The Wall Street Journal. As regular readers of this blog know well, Mrs. T and I have just been through the wringer, and I’m sorely in need of a respite from playgoing and caregiving.

To this end, an old friend of ours is spending the week at our apartment in New York, looking after Mrs. T’s needs, while I hole up at our place in Connecticut and (as Jake Gittes says in Chinatown) do as little as possible. I’ll be spending the next two nights at a harborside hotel on Long Island Sound of which I am inordinately fond, and on Saturday I’ll return to New York—but not to the Journal. I figure that a full week of absolute rest, followed by an additional week without shows or deadlines, will be enough to restore at least some of my equilibrium.

I will, as always, continue to post the usual daily blog items during my absence—they’re done well in advance—and I’ll also be looking in on Twitter and Facebook from time to time. Mostly, though, I plan to sleep late, read books, watch movies, and sit in a hot tub. So don’t look for reviews until after Labor Day: there won’t be any.

See you around.

Snapshot: Britten’s First String Quartet

August 21, 2019 by Terry Teachout

The Escher String Quartet plays the first movement of Benjamin Britten’s First Quartet, composed in 1941:

(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)

Almanac: Lennox Berkeley on artistic originality

August 21, 2019 by Terry Teachout

“True originality in an artist does not consist in his being peculiar, but in his being peculiar to himself.”

Lennox Berkeley, “Britten and His String Quartet” (The Listener, May 27, 1943)

Lookback: a biographer makes last-minute fixes

August 20, 2019 by Terry Teachout

From 2009: 

Pops: A Life of Louis Armstrong, which comes out in December, is about to go to the printer. This means that I still have a few more days in which to make changes in the text–though not large or frivolous ones. The Unwritten Law of Last-Minute Fixes is that they should only be made to correct actual factual errors, so I’ve been rereading Pops with a gimlet eye to see if anything slipped past me….

Read the whole thing here.

Almanac: Ronald Knox on the devil today

August 20, 2019 by Terry Teachout

“It is so stupid of modern civilization to have given up believing in the devil, when he is the only explanation of it.”

Ronald Knox, Let Dons Delight

Just because: the Benny Goodman Quartet in 1937

August 19, 2019 by Terry Teachout

The original Benny Goodman Quartet performs “I’ve Got a Heartful of Music” in Hollywood Hotel, directed by Busby Berkeley and released in 1937. Goodman is heard on clarinet, Lionel Hampton on vibraphone, Teddy Wilson on piano, and Gene Krupa on drums. This sequence is believed to be the first time that black and white instrumentalists were shown performing together on screen in an American film. The song is by Richard A. Whiting and Johnny Mercer:

(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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