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Terry Teachout on the arts in New York City

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TT: Formerly secret identities

March 9, 2005 by Terry Teachout

Hot out of the box with a brand-new cinematic meme is Cinetrix, who asks:


What movie character do you identify with the most?


Me, I alternate between the guy who speaks the lines quoted immediately below
and Jack Baker, the jazzier of The Fabulous Baker Boys. I guess that’s a pretty dire thing to admit about yourself, but it’s late, I’m tired, you know how it is….


(By the way, I have lots of funny stories to tell about my trips to and from Washington, but they’ll have to wait until I get back for good and in one piece. Be patient–all will be made manifest.)

TT: Almanac

March 9, 2005 by Terry Teachout

“

TT: Almanac

March 8, 2005 by Terry Teachout

“When your Daemon is in charge, do not try to think consciously. Drift, wait, and obey.”


Rudyard Kipling, Something of Myself

OGIC: I heard it at the movies

March 8, 2005 by Terry Teachout

I have in my possession two hundred-odd movie quotes that popped into people’s heads over the last several days. When they started to roll in last Thursday, I discovered that it was very interesting to keep a running tally of all the quotes I could find (in my email and on other blogs) and the movies they came from. I became, truth be told, somewhat obsessive about this, and started to compile them in a Word file alphabetically by film. This dubious diversion continued through the weekend until, at some point Sunday night, I couldn’t take it anymore. Still, in just a few days of open enrollment I managed to compile a decent sample, big enough to suggest a few general observations on what people–bloggers and blog readers, anyway–remember most from the movies. Or at least most immediately.


Little surprise that the most frequently cited film, with seven mentions, was Casablanca. What is surprising–and a little suspicious, frankly!–is that it was represented by seven different quotations:

I was misinformed.


And I was well paid for it.


You despise me, don’t you?


All the gin joints in all the world and she had to walk in to mine.


Louis, I think this is the beginning of a beautiful friendship.


Louis, are you pro-Vichy or Free French?


I’m shocked, shocked, to find that gambling is going on here.

So, what do y’all think was second? Well, there are two movies that were cited five times each, each of them represented by five different lines. Can you name one of those tunes in…one note?

YEEEHHHHHAAAAAHHHHHH!!!!!! YAAAAHHHHOOOOOO!!!

No, you probably can’t, and I can’t verify the spelling here in any case. I’ll fill in the rest–if you still can’t identify it, I daresay Google can help you out:

Ever seen a Commie drink a glass of water?


All right. But you’ll have to answer to the Coca-Cola corporation.


Mr. President, I’m not saying we won’t get our hair mussed, but twenty million killed, tops, with the breaks.


Of course, the whole point of a Doomsday Machine is lost if you keep it a secret.

The other five-timer? The Big Lebowski, which almost also won the Special Jury Prize for Most Appearances of a Certain Obscenity That I Am Far Too Ladylike to Repeat. (Those who know me can stop laughing now. Really, stop.) This item appeared three times in five quotations from The Big L: in noun, verb, and adjective forms. Again I say: fishy!


A special mention goes to Star Wars with four cites, but let it be noted that three of them were “These aren’t the droids you’re looking for.” (The orphan was “Help me, Obi Wan Kenobi. You’re my only hope.”) Three times was the most a single quotation appeared in the sample; beside the droids line, there was “I’m mad as hell and I’m not going to take this anymore!” (you go, Howie), the only thing anyone remembers about Network, apparently. Lines cited two times were:

I want you to hold it between your knees. (Five Easy Pieces)


Just when I thought I was out, they pull me back in. (The Godfather, Part 3)


You’re gonna need a bigger boat. (Jaws)


This one goes to eleven. (This Is Spinal Tap)


Badges? We don’t need no stinkin’ badges! (Treasure of the Sierra Madre)


You just put your lips together and blow. (To Have and Have Not)


Top of the world, Ma! (White Heat)

A few movies were mentioned three times: Animal House, Patton, The Blues Brothers, Withnail and I, Apocalypse Now, and The Godfather, Part 2. A bunch were quoted twice–some surprisingly to me: Ghostbusters (geez, the eighties really are back), The Adventures of Buckaroo blah blah blah, and The Outlaw Josey Wales. In general, Clint Eastwood was well represented; the post-Oscar timing worked for him. Both entries from Raiders of the Lost Ark had to do with snakes.


The longest quotation submitted was easily one from Blue Velvet. It won the aforementioned Special Jury Prize, too, with twice as many, er, points as the runner-up, Lebowski.


There was a six-way tie for shortest quote:

Stella! (A Streetcar Named Desire)


Thirty-six? (Clerks)


Plastics. (The Graduate)


Willoughby!!!! (Sense and Sensibility)


Sincerely. (Stand By Me)


Khaaaaaaaaaaaaaaaaaaaaan!!!! (Star Trek II)

I love the extra-expressive orthography in that last one. A couple of others also emphasized articulation, to hilarious effect:

“Doolittle Lynn, you’re growling like a big ol’ ba-i-air.” (Coal Miner’s Daughter, in which Spacek makes “bear” into a three-syllable word)


“Awww, ya remembered! Ya made me fried green tomatoes!” (Fried Green Tomatoes)

Finally, if you had to boil down the plot of The Godfather 2 to the barest possible sketch, you might well come up with the following two lines that were provided by two different readers. Spoken by Fredo and Michael Corleone, respectively, they pretty much tell the most sad and revealing of all the stories that make up the Godfather epic:

Johnny Ola knows these places like the back of his hand.


…


I know it was you, Fredo. You broke my heart.

Ow. Look for one last post on this subject later in the week, listing personal favorites. And thanks to everyone who played.

TT: Soon to be elsewhere

March 7, 2005 by Terry Teachout

I’ll be hitting the road at noon, followed by four days’ worth of constant movement: a lecture in Washington on Monday night, a press preview in New York on Tuesday night, a deadline on Wednesday morning, another lecture in Washington on Wednesday night, then back here again on Thursday. (Thank God I’m a hopeless train buff.) It’s conceivable that I might post at some point along the way…but probably not.


I hope to see some of you at my lectures! Even if you can’t make it, have a good week anyway.


Later.

TT: Almanac

March 7, 2005 by Terry Teachout

There’s not a woman turns her face

Upon a broken tree,

And yet the beauties that I loved

Are in my memory;

I spit into the face of Time

That has transfigured me.


W.B. Yeats, “The Lamentation of the Old Pensioner”

OGIC: After hours

March 7, 2005 by Terry Teachout

An unusually busy week stretches before me. Oh, I’m always “busy,” but this week it means actually having to be places other than my living room. So look for prime time blogging for the next few days–new posts after seven.


See you in a few hours.

OGIC: Afterthoughts

March 4, 2005 by Terry Teachout

Last night I was all raving about Kelly Braffet’s novel Josie and Jack. Now I have a couple of addenda. First, in the earlier post I pronounced myself unimpressed by comparisons of the book to “Hansel and Gretel.” My (unstated) grounds were that the sister and brother in the fairy tale are victimized innocents whereas Josie and Jack are…not. Well, I’m a blockhead: I just rediscovered that the book’s epigraph comes straight from the Grimm Brothers’ story:

When the moon came they set out, but they found no crumbs, for the many thousands of birds which fly about in the woods and fields had picked them all up. H

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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