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About Last Night

Terry Teachout on the arts in New York City

Laugh and you laugh alone

November 6, 2020 by Terry Teachout

In today’s Wall Street Journal I review West Coast webcasts of Art and Same Time, Next Year. Here’s an excerpt.

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How effective can a stage comedy be when performed without an audience? Having now seen two such webcasts, both of them taped in empty theaters, I still don’t know for sure.

San Francisco Playhouse, a company new to me, is currently testing the efficaciousness of online comedy with Yasmina Reza’s “Art.” Like Ms. Reza’s “God of Carnage,” it’s a serious small-cast comedy (three characters) of bad middle-class manners that hit big on Broadway, where it opened in 1998 and ran for 600 performances. Directed by Bill English, the company’s artistic director, on a simple but elegant set of his own design, it tells the tale of Serge (Johnny Moreno), an art snob who spends $200,000 on a minimalist painting that his old friend Marc (Jomar Tagatac) curtly dismisses as “a piece of white shit.”…

While this production is a trifle rough around the edges, the cast is well chosen and Mr. English’s staging serves the play equally well. Not so the absence of an audience, which is a problem, if never a serious one….

Bernard Slade’s “Same Time, Next Year” was an even bigger hit than “Art”: It opened on Broadway in 1975, ran for 1,453 performances, then was turned into a popular movie. It is now a regional-theater staple, and North Coast Repertory Theatre, a very fine troupe whose headquarters is a suburban shopping center not far from San Diego, is presenting it as a fully-staged webcast taped on its main stage.

Directed by David Ellenstein, the company’s artistic director, “Same Time, Next Year” is a lightweight romcom about George and Doris (Bruce Turk and Katie MacNichol), who are married—but not to one another—and who meet once a year for an adulterous tryst without informing their spouses….

“Same Time, Next Year” has long since become a period piece. Even its best laugh lines smack of Neil Simon’s old-fashioned one-two-get-ready-for-the-joke style: “I have a friend who says that life is saying ‘yes.’ The most I’ve ever been able to manage is ‘maybe.’” Such jokes land much harder when there are people present to laugh at them….

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Read the whole thing here.

The trailer for Art:

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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