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About Last Night

Terry Teachout on the arts in New York City

Heartbreak Halfway House

December 20, 2019 by Terry Teachout

In today’s Wall Street Journal I review the off-Broadway premiere of Halfway Bitches Go Straight to Heaven, Stephen Adly Guirgis’ new play. Here’s an excerpt.

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Stephen Adly Guirgis is on a prolonged roll. “The Motherf**ker With the Hat” and “Between Riverside and Crazy,” his most recent plays, were serious comedies of urban life whose well-constructed plots kept them roaring down the dramatic track and whose smart, crackling dialogue had all the idiomatic savor of August Wilson at his best. Who knew that the sophomoric author of such earlier plays as “The Last Days of Judas Iscariot” would become a purveyor of taut moral tales that are also richly funny?…

Now the Atlantic Theater Company and LAByrinth Theater Company, Mr. Guirgis’ home base, have collaborated on a new play in a similar vein with an equally dumb title, “Halfway Bitches Go Straight to Heaven.” (I really wish he’d seek outside counsel when naming his shows.) The results, once again, are purest delight, all the more so because Mr. Guirgis has turned over a fresh leaf in his writer’s notebook. Unlike its more tightly wrought predecessors, “Halfway Bitches” is a big-cast ensemble piece set in a halfway house for troubled women whose near-plotlessness reminded me of nothing so much as one of Chekhov’s group portraits of turn-of-the-century Czarist Russia on the verge of revolution. It is, truth to tell, a bit too long—nearly three hours—but I wouldn’t want to have to cut it, for “Halfway Bitches,” for all its “Heartbreak House”-like looseness of structure, is so excitingly eventful that your attention will never wander.

Most of Mr. Guirgis’ 20 characters, played by 18 just-right actors, are the staff and occupants of Hope House, described in the script as “a government-funded residence for women providing transitional shelter and support for women in need in New York City.” Some drink, some use drugs, while others seek to break themselves of the no less devastating “habit” of being battered by their faithless partners….

I don’t want to single out any of the actors in “Halfway Bitches” for particular praise, since they’re all giving performances so real that you’ll feel as though you’d recognize their characters if you ran into them on Ninth Avenue after the show….

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Read the whole thing here.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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