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About Last Night

Terry Teachout on the arts in New York City

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July 8, 2016 by Terry Teachout

In today’s Wall Street Journal I review the Hudson Valley Shakespeare Festival’s new production of Measure for Measure. Here’s a review.

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Why do some of Shakespeare’s plays get produced more often than others? For all the self-evidently surpassing excellence of the most familiar masterpieces, I’m tempted to say that the answer in many cases is sheer force of habit. On the other hand, certain of the less popular plays really are less popular for a reason—though it’s not that they’re less good. When it comes to the plays known to scholars as “problem plays,” which teeter uncomfortably but purposefully between low comedy and high tragedy, it isn’t hard to see why cautious directors might choose to play safe and stick to “Hamlet.”

154f9aa8-1775-481a-b802-b77572de20fdNot so Davis McCallum, artistic director of the Hudson Valley Shakespeare Festival. After two seasons at the helm, he looks to be personally drawn to the trickier plays. Mr. McCallum directed “The Winter’s Tale” last summer, and this time around he’s giving us a production of “Measure for Measure,” the quintessential problem play, that’s staged and acted so passionately that you’ll come away saying “No problem!”…

Save for the use of festive modern dress and a touch of gender-switching non-traditional casting, he sticks to playing “Measure for Measure” down the center, trusting the audience to accept its complexities as true to life—which they are and which we do, happily. If you’ve ever been tempted to laugh at a funeral, you’ll know where Shakespeare is coming from, and Mr. McCallum gets it.

No small part of the excellence of this “Measure for Measure” is due to Ms. Purcell, who has impressed me no end in regional productions of such demanding fare as Samuel Beckett’s “Play” (at San Francisco’s American Conservatory Theater in 2012) and Tom Stoppard’s “The Real Thing” (at Studio Theatre of Washington, D.C., in 2014). Her Isabella is so intense that you can all but see her quivering with barely contained passion. It makes no sense that an actor capable of such things isn’t much better known….

* * *

Read the whole thing here.

The trailer for Measure for Measure:

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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