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About Last Night

Terry Teachout on the arts in New York City

Rave on

March 21, 2014 by Terry Teachout

satchmo-on-broadway.jpgToday’s New York Times contains an enthusiastic review of Satchmo at the Waldorf:

There is a wonderful Milt Hinton photograph of Louis Armstrong in 1954, standing by his beloved reel-to-reel tape recorders, which he took with him everywhere to record performances and memories. It’s this Armstrong–relaxed, intimate and gregarious–that John Douglas Thompson vividly resurrects in Terry Teachout’s “Satchmo at the Waldorf,” a one-man show at the Westside Theater….
Mr. Teachout, The Wall Street Journal’s drama critic, is an Armstrong biographer, and Mr. Thompson–who appeared in productions of “Satchmo” at the Long Wharf Theater and Shakespeare & Company–certainly knows these characters. As directed by Gordon Edelstein, Mr. Thompson offers dazzling arias, at one point toggling between Armstrong and Glaser in a bravura pyrotechnical display. By the show’s end, you sense the profound fortitude that lay beneath the avuncular surface of this giant, and you are newly appreciative of his singular place in history.

On Wednesday John had to miss both performances owing to a pinched nerve. Michael Early, John’s understudy, covered for him, carrying a script (he hasn’t had time to learn the entire play yet). The New Yorker was there:

With so little stage business to ornament the action, and no chemistry generated by other actors, it’s the kind of distilled performance that thrills and terrifies, or obviously falters. Early was mellowly authoritative–he improvised, as Armstrong would have, when he couldn’t quite get back to the script in time. Though he had to turn the pages, the act seemed synonymous with Armstrong’s searching through the catalogue of his memories. At the end, the audience shouted and applauded with real feeling, and when Early took a bow he shared with us a look of relief. We’d all participated in a delightful pact: we’ll watch you catch this curveball, you’ll pretend like catching it is nothing….

For the record, John returned to the show last night, but it’s nice to know that he’s very well covered in case things go wrong.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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