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About Last Night

Terry Teachout on the arts in New York City

TT: Catching an echo

March 15, 2013 by Terry Teachout

Today’s Wall Street Journal “Sightings” column is devoted to the Library of Congress’ National Recording Preservation Plan, a document that will be consuming interest to anybody who cares about old records. Here’s an excerpt.
* * *
What is a library? Until fairly recently, the answer to that question was simple: It’s a storehouse for pieces of the past, reduced to words printed on paper. The fact that books are increasingly “printed” on something other than paper doesn’t change the fundamental purpose of libraries. They are our collective memory. Without books and the libraries that preserve them, we wouldn’t know what happened in the past, and we couldn’t use that knowledge to shape the future.
phono1.jpgFortunately for posterity, a well-made book isn’t hard to preserve. But in 1877, Thomas Edison invented a new way to preserve pieces of the past. He called it the phonograph, and it took a long time for librarians to figure out that the echoes of speech and music that Edison and his successors etched on discs were as important a part of our collective memory as the words that Johannes Gutenberg and his successors printed on paper.
Nowadays most people understand the historical significance of recorded sound, and libraries around the world are preserving as much of it as possible. But recording technology has evolved much faster than did printing technology–so fast, in fact, that librarians can’t keep up with it. It’s hard enough to preserve a wax cylinder originally cut in 1900, but how do you preserve an mp3 file? Might it fade over time? And will anybody still know how to play it a quarter-century from now?…
The Library of Congress recently issued a 78-page document called “The Library of Congress National Recording Preservation Plan” whose purpose is to ensure that our descendants will be able to listen to the sounds of the past long after we’re dead and gone. It contains 32 recommendations, most of which, I suspect, will be filed and forgotten. Given the present state of the economy, I can’t imagine that anyone on Capitol Hill sees the preservation of sound recordings as a top priority. But Congress can do one important thing that will help to save our sonic history without costing a cent: We need to straighten out America’s confused copyright laws, and we need to do it now….
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Read the whole thing here.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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