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About Last Night

Terry Teachout on the arts in New York City

TT: The kids are all wrong

January 7, 2011 by ldemanski

I spent the first night of 2011 seeing a very bad off-Broadway revival of Dracula for The Wall Street Journal. Here’s an excerpt from today’s review.
* * *
How is it that vampires and zombies (not to mention serial killers, their postmodern cousins) are so hot nowadays? No doubt our undiminished interest in the blood-suckers and flesh-eaters among us says something profound, disturbing and transgressive about American culture, but I’m damned if I know what it is, perhaps because I hopped off that particular train when “Buffy the Vampire Slayer” closed up shop. I have yet to see a single installment of “Twilight,” “True Blood” or “The Vampire Diaries,” nor do I plan to do so anytime soon. I did, however, snag a ticket to the new Off-Broadway “Dracula,” partly because the ever-excellent George Hearn is playing Van Helsing, Buffy’s spiritual great-grandfather, and partly because Thora Birch, who was so fine in “Ghost World” and “American Beauty,” was supposed to play Lucy Seward, the chief recipient of the sanguinary favors of the Transylvanian count (Michel Altieri).
Ms. Birch, however, got canned when the show was in rehearsal and has since been replaced by Emily Bridges, her understudy. Now that I’ve seen the play she left behind, I incline to think that she got lucky, for this “Dracula” is a limply staged, unconvincingly acted mess….
You won’t have any trouble figuring out the high concept of this production: Except for Mr. Hearn and Timothy Jerome, who plays Lucy’s father, everyone in the case is very young and mostly very pretty. The goal, I assume, is to appeal to the teen-and-tween set, but the producers have neglected to hire any familiar faces and favored looks over experience. As a result, some of the performances are ludicrously amateurish. I won’t name any names–Paul Alexander, the show’s near-unknown, painfully ungifted director, may be the guilty party here–but I heard the chilling sound of unintended laughter at several points in the second act….
* * *
Read the whole thing here.
A scene from the 1979 film version of Dracula, starring Frank Langella:

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

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About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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