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About Last Night

Terry Teachout on the arts in New York City

TT: Too late! Too late!

August 24, 2009 by Terry Teachout

Each day I receive a Google Alert e-mail on Louis Armstrong, and each day I wonder as I read it whether someone somewhere has discovered a primary source that contradicts something I’ve written in Pops: A Life of Louis Armstrong. So far, so good, but I got a bit nervous over the weekend when I learned that a hitherto-unknown sixteen-page letter written by Armstrong to Mezz Mezzrow in 1932 was being auctioned off by the same firm that’s currently selling private tapes of Barbra Streisand’s 1960 nightclub debut.
9780195140460.jpgThe complete text of the letter can be viewed on line. I was relieved to learn upon reading it that I won’t have to tear up Pops at the very last minute in order to shoehorn the letter into the book. Even so, I wish I’d known about it six months ago, for the letter, which Armstrong wrote midway through his first trip to England, fills in several small but significant factual gaps in our knowledge of that important episode in his life. It is also, like all of Armstrong’s letters, written in an amazingly vivid and personal style:

The Victor Record Co., has just won the case from the Okeh Record Co. and wired Mr. Collins [Johnny Collins, Armstrong’s manager] that all’s well and I can start on my new Victor contract which replaces the Rudy Vallee anytime. Gee, Gate, what a victory that is to win from our boy Rockwell [Tommy Rockwell, Armstrong’s previous manager, who sued to stop him from switching record labels]. Looka heah, Looka heah. Now just watch those good royalties-dividends-shares-‘n’ everything else. Ha. Ha. And the contract pop’s (MR. COLLINS) made with these people for me, why you’ve never heard of one like it before. And that includes the ole King of Jazz himself Paul Whiteman. Nice, eh?

Alas, you won’t find that paragraph in Pops, nor has it been published anywhere else, though I sincerely hope that a complete run of Armstrong’s surviving correspondence will be brought out in book form at some point in the future. (In the meantime, a fair number of his letters can be found here.) Until then I’ll be keeping an eye on Google–and hoping that nothing of indispensable importance surfaces for at least another six months, if not longer.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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