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About Last Night

Terry Teachout on the arts in New York City

TT: Get small

December 5, 2008 by Terry Teachout

I go to a lot of out-of-town shows in between Broadway openings, but my reviewing calendar is so crowded that I inevitably miss out on some of the ones that I most wanted to see. Right now, for instance, Long Beach Playhouse is putting on John van Druten’s The Voice of the Turtle, a poignant three-character comedy about love in wartime that has a small but significant place in American theatrical history. It opened in 1943 and ran for 1,557 performances, making it Broadway’s eighth longest-running straight play–yet The Voice of the Turtle has never been revived on the Great White Way since the original production closed in 1948.
VoiceTurtle.jpgWith the financial crunch hitting New York producers where it hurts, I’ve written a “Sightings” column about high-quality small-cast plays that either never made it to Broadway or, like The Voice of the Turtle, haven’t been seen there for decades. Pick up a copy of tomorrow’s Wall Street Journal and you’ll find an annotated list of five such plays, all of which (A) can be produced cheaply and (B) lend themselves to the celebrity casting without which it is no longer possible to open a straight play on Broadway.
* * *
Here’s a list of the ten longest-running straight plays in Broadway history:
• Howard Lindsay and Russel Crouse, Life With Father, opened 1939, 3,224 performances
• Jack Kirkland, Tobacco Road, opened 1933, 3,182 performances
• Anne Nichols, Abie’s Irish Rose, opened 1922, 2,327 performances
• Ira Levin, Deathtrap, opened 1978, 1,793 performances
• Albert Innaurato, Gemini, opened 1977, 1,788 performances
• Garson Kanin, Born Yesterday, opened 1946, 1,642 performances
• Jean Kerr, Mary, Mary, opened 1961, 1,572 performances
• John van Druten, The Voice of the Turtle, opened 1943, 1,557 performances
• Neil Simon, Barefoot in the Park, opened 1963, 1,530 performances
• Neil Simon, Brighton Beach Memoirs, opened 1983, 1,530 performances.
For what it’s worth, none of these plays has ever been successfully revived on Broadway. I wonder why? Maybe that’s another column….
* * *
UPDATE: Read the whole thing here.
The other plays on my list, in case you’re wondering, are Alan Ayckbourn’s Relatively Speaking, David Ives’ Ancient History, Kenneth Lonergan’s This Is Our Youth, and George Bernard Shaw’s Don Juan in Hell.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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