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About Last Night

Terry Teachout on the arts in New York City

TT: Here be dragons

September 1, 2008 by Terry Teachout

I’ve been reading Thomas A. Heinz’s Frank Lloyd Wright Field Guide, a book that describes every surviving building designed by Wright, tells you how to get to them, and assigns each one a five-star rating. The Field Guide also includes a brief discussion of the relative accessibility of each building. In most cases it’s a single sentence, usually either “The house can be seen from the street” or “The house cannot be seen from the street.” In certain cases, however, Heinz goes a bit further, and on occasion he really lets himself ago.

Some of his entries speak of bitter disappointment:

• “Visible from street and backyard but little to see” (Charles L. Manson House, Wausau, Wisconsin).

• “The station can be seen at all times and in all conditions. However, there is little to recommend a trip so far north unless visiting Duluth or the Boundary Waters” (Lindholm Service Station, Cloquet, Minnesota).

• “The front of the house is screened by evergreen trees. One can see only glimpses of the building, making photography of the subject frustrating” (Frank J. Baker House, Wilmette, Illinois).

Others hint at acute embarrassment:

• “The house is set well back on the site and cannot be seen from the street. Walking down the drive is not a good idea as it would disturb the occupants” (Carlton D. Wall House, Plymouth, Michigan).

• “The house can only be approached via the long driveway and by the time the house becomes visible one is nearly at the front door” (Duey Wright House, Wausau, Wisconsin).

I bet Mr. Heinz had some ‘splainin’ to do that day.

Like all Wright devotees, Thomas Heinz is a determined and tenacious fellow who will go to considerable trouble to see whatever there is to see:

IMG_6717.jpg• “The house is over a small hill on the river slope. Only the garage doors can be seen from the roadside. The front of the house can be seen from across the river and the filtration plant. A fence with a gate obscures the house” (Luis Marden House, McLean, Virginia).

On occasion, though, he seems to have gotten himself into hot water. Some of the latter entries are devastatingly succinct:

• “Not visible. Beware of the dogs” (Maurice Greenberg House, Dousman, Wisconsin).

Others supply a proliferation of alarming detail:

• “The house is very difficult to see in both summer and winter because of the profusion of small trees and shrubs. There is an electric eye across the driveway that alerts the occupants to anyone approaching the house” (John O. Carr House, Glenview, Illinois).

• “The house is set almost a mile back from the public road, behind several gates and fences, and is extremely difficult to locate. It is still a private home and is not worth pursuing unless invited” (Amy Alpaugh Studio, Northport, Michigan).

• “The house cannot be seen from the street. There are barbed wire fences and dogs for the cattle and the occasional trespasser” (Arnold Friedman House, Pecos, New Mexico).

• “The compound is not accessible because of the narrow private road and ferocious animals kept by the owners. Unless invited, it would be better to avoid this house” (Donald Lovness House and Cottage, Stillwater, Minnesota).

One entry is so rich in implication as to suggest an unwritten short story:

• “The island is approachable only by boat. The island is guarded by dogs and a gate prevents getting past the dock. Only a small portion of the building can be seen from the water. The trained dogs are ever-present and have been known to chase passing boats” (A.K. Chahroudi Cottage, Mahopac, New York).

Here’s my favorite piece of cautionary advice:

• “Only a small portion of the top floor can be seen across the concrete court. The house can be seen from Highway 9 above the waterworks” (Frank Bott House, Kansas City, Missouri).

Talk about nostalgia! I used to go parking in the hills above the Kansas City Waterworks, some thirty-odd years ago. I don’t remember looking for any Frank Lloyd Wright houses, though….

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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