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About Last Night

Terry Teachout on the arts in New York City

TT: R&R from A to Z

May 5, 2008 by Terry Teachout

I’d planned to tell you all about my recent trip to Santa Fe today, but the truth is that after flying back to New York by way of Albuquerque, Denver, and Newark, then seeing four new shows in a row, one of them in Brooklyn and two of them very serious, I’m just too damn tired. Besides, I’ve got to knock out three Wall Street Journal columns between now and Thursday, the first of which is due at noon today if not sooner. So…no posting.
What will I do instead? I’ll start by writing Column No. 1, then go have lunch with a friend, after which I propose to spend the rest of the afternoon unwinding by listening to Al Cohn and Zoot Sims, which is (as Paul Desmond put it) the musical equivalent of getting your back scratched.
Join me if you like. Al is the one on the left:

Mmmmm.
I promise to file a full and detailed report on my recent operatic adventures as soon as I get myself pulled together again. Meanwhile, it might amuse you to know that some anonymous, exceedingly well-meaning soul has gone to the trouble of writing a Wikipedia entry on The Letter. Take a look!
If that’s not enough to keep you busy while I recuperate, go here to read a 1965 interview with Al and Zoot. You might also enjoy this piece by Dave Frishberg, who played piano for them once upon a time:

Zoot and Al were majestic in the way they commanded their horns, and they played rings around that music. They were locked into each other’s playing like no other two musicians I ever heard. During their solos they were really composing as they played–they couldn’t help it. They were compulsive composers, and it would be totally out of character for either of them to play reflexive licks, or to quote from nursery rhymes or corny pop songs, or to trivialize their music in any way. Jazz critics can probably point to certain “influences” in Al’s playing, or Zoot’s–Lester Young is the obvious point of departure. But the fire and the swing, and the way they swarmed over the changes and discovered ever fresher and more lyrical ways to navigate them resembles nothing else that came before or followed after.

What he said.
UPDATE: You’ll also find me here.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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