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About Last Night

Terry Teachout on the arts in New York City

CAAF: Strangely paranoid that my next disc of The Closer will be “Long Wait”

August 1, 2007 by cfrye

Last week I voiced my fervent desire that Netflix — “Taking agoraphobics to the movies since 1998!” — start shipping Saturdays. After I posted I began to wonder uncertainly if there was some dumbfoundingly obvious reason why the company hasn’t already moved to this schedule, as one sometimes does after making a modest proposal on the Internet (shades of violins on TV).
So I sent an email to the proprietor of Hacking Netflix, who pointed me to an interview he conducted with Netflix CEO Reed Hastings last year. Here’s the relevant portion:

HN: Why don’t you work on Saturdays? It seems to be such a competitive advantage for Blockbuster, and everybody’s interested in getting more movies… Is it cost-prohibitive?
Hastings: Prohibitive is a strong word. It’s a cost tradeoff, right, because then you can’t run a standard five day shift. So when you move to a 6th day, then you’ve got not one management team, you’ve got staggered. So the cost is not just 15% more, because you’ve got to figure out dual management, and how you’re going to infringe on people on people’s weekends and yet give them a life. So we make sure that the Monday through Friday works well, and that’s the focus.

According to the MSNBC report, Netflix profits this year are expected to be between $42.4 – $52.4 million. Maybe by the time they’re clearing $60 mill., they’ll have figured out how to get those Saturday shifts manned.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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