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About Last Night

Terry Teachout on the arts in New York City

CAAF: Lucky Jim, unlucky Ron, & other links

August 1, 2007 by cfrye

Alas, today finds me in a “I don’t care if you have to cry and cut, but you better cry and cut” state of deadline, so I have little to offer but scattershot and brimstone.
A couple items that caught my fancy this morning:
• From Carol Blue’s 1996 New Yorker profile of Salman Rushdie:

Rushdie excels at what might be termed Shakespeare trivia. Once, in the course of a literary word game, he was challenged to rename a Shakespeare play as if it had been written by Robert Ludlum. He was asked, first, to retitle “Hamlet” in the style of the author of “The Bourne Ultimatum” and “The Scarlatti Inheritance.” With no advance notice and almost no hesitation, he said, “The Elsinore Vacillation.” A palpable hit but, the other participants thought, sheer luck. Bet you can’t do it twice. What about “Macbeth”? “The Dunsinane Deforestation.” More meditated offerings included “The Rialto Forfeit,” “The Capulet Infatuation,” “The Kerchief Implication,” and “The Solstice Entrancement.”

Blue’s piece is quoted in a Ludlum-rich entry over at Light Reading (like Jenny, I find Chrisopher Hitchens’ variation of the Rushdie anecdote interesting).
• Ed Park gives a favorable review to Taylor Antrim’s The Headmaster Ritual today at Salon. Trolling for other reviews of the novel, I came across one by Ron Charles for The Washington Post, which begins with the best lede I’ve read in a while:

The only good thing about the first year of teaching is that it can happen to you only once. Through a haze of cringing horror, I remember when I insisted that Ring Lardner was a fictional character, made fun of a deaf student, reduced a recently orphaned girl to tears, and, while swaying dramatically behind a wooden lectern, drove a long splinter through my pants and into my groin.

Other dashed thoughts and links:
• It’s been widely linked to but if you haven’t read it yet, Hilary Mantel’s essay on Orpheus and Euridice is worth your attention.
• Two Amazon customers argue about what is “verifiable” in Swedenborg’s Heaven and Hell.
• Speaking obliquely of Hitch and God (they’re like Burton and Taylor, those two), the number of holds before me in the library queue for Christopher Hitchens’ God Is Not Great: 16. Sixteen!

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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